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David Hamilton  

E moe te Ra

Duration: 02' 45" Year: 2007
arrangement of a waiata by Erima Maewa Kaihau (1879-1941) for SSA and piano

  • Programme Note

    This waiata (Maori song) was written around 1918 by Erima Maewa Kaihau (1879-1941). She was also involved in the complex gestation of the song Now is the Hour.

    E moe te Ra is very much in the late Victorian tradition of song writing and owes little to traditional Maori song forms or styles. The English “translation” in the score begins: “Shadows of evening bring tender thoughts of thee beloved…”. The music has an unusual phrase structure and some unexpected harmonic turns. In this arrangement some re-harmonisation has been used, particularly in the first half. The second half fellows the original harmonies more closely. Rather than set the English of the printed music, the Maori words are sung through twice, with a short introduction and coda.

    The arrangement was made at the request of choral director David Gordon of Diocesan School for Girls, Auckland.

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Jenny McLeod  

Godsongs No. 13: 17 Christmas Carols

 Year: 2004
a collection of carols, in up to four parts

Chris Adams  

Haere Mai

 Year: 2010
for SATB choir

Anthony Ritchie  

Haere Mai Ra

 Year: 1988
for SSA choir, flute, cello and piano

Jenny McLeod  

He Honore, He Kororia (Honour and Glory to God)

Duration: 01' 30" Year: 1996
for orchestra with electric guitar, bass guitar, and SATB choir

Diane Cooper  

Hine e Hine

Duration: 04' 00" Year: 1982
for solo soprano and SATB choir

Dorothy Buchanan  

Hine e Hine

Duration: 02' 00" Year: 1981
arranged for SATB choir with piano accompaniment

Dorothy Buchanan  

Hine e hine

Duration: 03' 00" Year: 1982
for SATB choir (with soloist), piano, and school orchestra

Cheryl Camm  

Hinemoa

 Year: 2000
for SSAA Choir

David Hamilton  

Kia hora te marino

 Year: 2007
for 2-part treble voices and piano

  • Programme Note

    This piece sets a well-known Maori proverb and blessing. Each text seeks something good for others – the English translations of each line beginning with the injunction “May…”. The proverb is first sung in unison, then presented in an English chant. The initial proverb is then repeated sung largely in canon against itself, with the blessing reappearing towards the end of the piece.

    Kia hora te marino was written for Auckland Boys Choir and their conductor Suart Weightman.

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