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A “deconstruction/recomposition” of a fifteenth century carol for 3 soloists and choir on the martyrdom of St Stephen. This dramatic work has become a standard text for study in schools through New Zealand. It has been recorded by the New Zealand National Youth Choir.

• Body: Carol to Saint Stephen; facsimile 

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• Body: Carol to Saint Stephen; computer-set 

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• Jack Body: Carol to St Stephen  

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• Visions: New Zealand Choral Music 

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• Visions: New Zealand Choral Music 

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• New Zealand National Youth Choir: Te Roopu Rangatahi Waiata o Aotea Roa  Year: 1992 

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• McLeod: Childhood; computer-set 

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• McLeod: Childhood; facsimile  Year: 1988 

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• Jenny McLeod: Childhood 

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• Jenny McLeod: Childhood 

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• Prisms - The Bach Choir 

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  $15.00
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• NZ Flora Series Vol 4  Year: 1985 

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• Prisms - The Bach Choir  Year: 1985 

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• NZ National Youth Choir on Tour North America  Year: 1994 

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• Tower New Zealand Youth Choir: Winds that Whisper  Year: 1998 

  CD
  
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• Buchanan: Five Witchy Poo Songs; facsimile 

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• Camm: Banana Songs; computer-set 

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• Dellow: God, Creator; computer set 

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• Camm: Hinemoa; computer-set 

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• Music for Vienna: Bel Canto Choir 

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This setting of the Kyrie from the Latin Mass is the first movement of ‘Missa semplice’. Having had for some time an intention to compose a Mass setting of modest proportions, in 2006 I wrote the work incorporating some other texts in English. The work was originally scored for three-part mixed voices (SAB). This re-working of ‘Kyrie’ for treble voices was made for Rangitoto College’s choir ‘Perfect Fourths’ at the request of conductor Bianca Abelskamp.

• Hamilton: Missa semplice; computer-set 

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• Hamilton: Missa semplice; computer set 

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• David Hamilton - Music for Mixed Voice Choirs Vol. 1 

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• David Hamilton: Missa semplice (2006)  Year: 2007 

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• Buchanan: More Witchy-Poo Songs; computer set 

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• Buchanan: More Witchy-poo Songs; facsimile 

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Inspired by sparkling waters of Tasman Bay Nelson, this choral work (SSAATB) was originally composed with flute accompaniment, which has been substituted in performances by the Shakuhachi (traditional Japanese flute) and also the Koauau (traditional Maori flute). There are recordings of Pounamu with each of these flutes. The piece’s choral texture uses Maori vowel sounds and a text which is a whakatauki (proverb) from the Waikato region.

• Helen Fisher: Pounamu (SOUNZwrite) - hardcopy study score  Year: 1997 

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• Helen Fisher: Pounamu - hardcopy vocal score  Year: 1997 

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• Helen Fisher: Pounamu - hardcopy score & part  Year: 1997 

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• Pounamu 

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• New Zealand Choral Music  Year: 1998 

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This setting of part of the Liturgy of the Approach is dedicated to the Saint Matthew’s Singers, for whom it was written. Thanks are expressed to the Auckland Community Church, for supplying the text. Its original inspiration came from part of a prayer by Janet Morley.

The piece is written in the style of the French Romantic tradition, with one or two departures into a more chromatic or discordant style.

• Baker: Prayer for Wholeness; computer-set 

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• Baker: Prayer for Wholeness; computer-set 

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