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Anthony Ritchie  

Albatross in Flight

Duration: 10' 00" Year: 1996
a short piece for orchestra

Eve de Castro-Robinson  

Aurora

Duration: 03' 00" Year: 1990
fanfare for orchestra

Natalie Hunt  

Compass

Duration: 04' 30" Year: 2011
for full orchestra

Anthony Young  

Concertino for Orchestra

Duration: 10' 00" Year: 2005, r. 2010

  • Instrumentation
    22*22; 4331; timp., perc. (2 or 3), hp; strings
  • Programme Note

    This piece is affectionately known as ‘Bugs’ or ‘the Bug piece’ to me, and that is what it is about: the wonderful creepy crawlies native to New Zealand. Motivation for writing this piece came from two sources. As part of my residency with the Auckland Philharmonia in 2004, I was required to write a piece for a concert specifically at children and families. Naturally, it needed simple structures, lots of energy and a bit of fun.

    The second motivation with regard to a specific programme was a love for all native New Zealand fauna, and not just beautiful birds. So much music has been written with bird song or in celebration of New Zealand’s landscape. But nothing to my knowledge had been written about the humble creatures which often inspire revulsion rather than awe. Despite their not so cuddly appearance, native insects and invertebrates are just as fascinating and unique to these islands of ours as any other endemic wildlife.

    The first movement is Giant Weta. Often the most notorious for exciting disgust, these magnificent insects are quite amazing, but all to often fall prey to introduced mammals.

    The second movement is titled Giant Snails. Native giant snails are enormous, and often live in kauri trees, or feed on giant earthworms on the forest floor.

    The Nelson Cave Spider is a extremely unique creature. Like so many other creatures and plant life of New Zealand, it is a relic of ancient times and preserved by New Zealand’s isolation.

    Finally, perhaps the most unusual of all is the Peripatus, sometimes known as the velvet worm, a blue centipede-like creature that crawls through undergrowth in search of prey.

  • Availability

Patrick Shepherd  

cryosphere

 Year: 2006
for full orchestra

  • Programme Note

    cryosphere is a world of ice; a world of neutral tones of white and black where little life survives in the extreme cold and, paradoxically, extreme dryness. This work attempts to recreate the feeling and emotions of Antarctica, starting with a massive eruption of sound in the opening two bars, the energy of which subsides slowly into a peaceful world of subtle, pale colour. In Antarctica one feels as if one is experiencing the aftermath of huge disruption, of massive forces, which have come together in awesome strength but have now settled and become (temporarily) covered in a soothing blanket of white. Of course, there is nothing soothing about this blanket – it comprises layer upon layer of ice, continually in a state of flux as the massive ice sheets move under the enormous strain. Antarctica is peaceful and energetic, beautiful and brutal, empty and yet eerily full. This work attempts to draw some of these ideas together and to capture a part of the essence that is the earth’s last true great wilderness. I am indebted to Antarctica New Zealand for the opportunity to travel to Antarctica and gain the inspiration essential for the creation of my work.

    Patrick Shepherd

  • Availability

Karlo Margetic  

Dubina

Duration: 04' 00" Year: 2005
for orchestra

Daniel Stabler  

eccco fantasy for orchestra

Duration: 11' 00" Year: 2002, r. 2005
for orchestra

Gary Daverne  

Fanfare and Procession

Duration: 03' 00" Year: 2002
for orchestra

Leonie Holmes  

For Young Nick

Duration: 05' 30" Year: 2002, r. 2012
for orchestra

  • Instrumentation
    2222;4231;timp;2 perc;piano;harp,strings
  • Programme Note

    As I listened to media reports on the ownership of Young Nick’s Head, I began to wonder about the life of the real ‘Young Nick’, who first sighted this land from the deck of the ship Endeavour. What was life like on board the ship for the young boy, and how did it feel to sight the land? Various images came to mind, including a silhouette of land in the early morning light, or a murky shape barely visible through grey storm spray, or a dark smudge on a bright blue horizon. This piece was written with these images in mind.

    For Young Nick was premiered by Wellington Youth Orchestra in 2003.

  • Availability

Leonie Holmes  

Frond

Duration: 09' 00" Year: 2004
for orchestra

  • Instrumentation
    2222; 4231; timp., perc. 1 (glock., xyl., sus. cym., tri., bongos, tub. bells), perc. 2 (vib.), hp, pno (and celesta); strings
  • Programme Note

    A scene from childhood, remembered as a half peaceful, half eerie dream sequence. Deep in the bush where there were no cicadas singing, the moist smell of soil, a small stream, dark ferns. Occasional streaks of sunlight struck the water. The middle of the ponga fern looked as if it would be a perfect bed to curl up in. I half believed that there were bush-dwelling creatures that did live and sleep there, watching me from the shadows.

  • Availability