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for piccolo, koauau (or second piccolo), flute, clarinet in B flat, percussion, marimba, vibraphone, harp and piano

My brother and his partner had two black cats, Doris, the elder (and undisputed boss), was half the size of Stanley. The cats arrived one day quite unheralded, realised they were onto a good thing, and promptly settled down as rulers of the house. In old age Doris went slightly spastic and wonky. We all thought she would go first, but she lived my brother.

Jenny McLeod

• McLeod: Cat Dreams; computer-set 

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• McLeod: Cat Dreams; computer-set 

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• McLeod: Cat Dreams; computer-set 

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• McLeod: Cat Dreams; computer-set 

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fl./picc, ob, cl, bsn, horn, vln, vla, cel, bass

Originally for solo piano, this version for chamber ensemble was arranged by Peter Sharman

• Smither: Christmas Piece; computer set 

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• Michael Smither: Christmas Piece 

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2nd clarinet doubles bass clarinet

This piece is an hommage to Witold Lutoslawski. In an interview he once said, “I wanted to restore the pleasure of playing music.” Lutoslawski was referring to the tendency toward extreme complication in contemporary music of the 20th century. His solution to maintaining a fresh, contemporary sound while not torturing his performers was simple, yet ingenious …

• Margetic: Hommage a W.L.; computer-set 

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• Margetic: Hommage a W.L.; computer-set 

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• SMP Ensemble: Podroze - Journeys 

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  $15.00
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flute (doubling piccolo), oboe, B flat clarinet, bassoon, piano, 2 percussionists, cello, double bass

• Booth: Impossible Colour; computer set 

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• Paul Booth: Impossible Colour; audio 

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• Impossible Colour  Year: 2000 

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flute, clarinet, bassoon, alto saxophone, tenor saxophone, trumpet, piano, cello and double bass

When Silencio Ensemble asked me to write this piece, it was suggested that I write something inspired by or relevant to Canterbury – one possibility being a piece inspired by the landscape. In a funny kind of way, Mad Cow-Farmer’s Disease is inspired by the landscape – going to a Canterbury river and seeing the signs that say “Do Not Swim” or another where cows are loose in the riverbed and cow shit is all over the place.


It is inspired by dry riverbeds surrounded by farms with pumps constantly irrigating the land – the premise being that any ounce of water that makes it to the sea is wasted. These same farmers, self-titled “environmentalists,” use hypothetical science to justify their wanton destruction of the natural environment.

• Adams, C.: Mad Cow-Farmer's Disease; computer-set 

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• Adams, C.: Mad Cow-Farmer's Disease; computer-set 

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• Adams, C.: Mad Cow-Farmer's Disease; computer-set 

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• Adams, C.: Mad Cow-Farmer's Disease; computer-set 

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• NZ Premieres July 2008 to June 2009 Vol. 2 

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flute, oboe, clarinet, bassoon, horn, violin 1, violin 2, viola and cello

• Holmes: Nonette; facsimile 

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• Holmes: Nonette; facsimile 

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Taegum; Piri/Se-piri with Tibetan prayer chimes; clarinet in B flat; percussion 1: Changgo, suspended cymbal, Tibetan prayer chimes, two Thai gongs, suspended string; percussion 2: crotales, vibraphone, marimba, bass drum; twelve string gayageum in F; guitar with Tibetan prayer chimes; shaenghwang; cello

• Lardelli: Sent into Silence; computer-set 

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• Dylan Lardelli: Sent into Silence; audio 

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• Lardelli: Sent into Silence 

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• Aurora Australis  Year: 2010 

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flutes, oboe/cor anglais, clarinets, bassoon, horn, trumpet, trombone, percussion, double bass

The piece draws metaphorical substance from the movements of air currents: spiralling eddies, flowing breezes, sudden gusts, expanses of calm disrupted by turbulent cross-currents. The title is taken from an essay by Francois Bayle, which discusses the phenomenology of musical experience in richly poetic language. While not to be taken literally, this phrase reflects the play of energies in the music, and the transfer of energy between different regions, an evanescent surface, subject to unseen subterranean forces.

• Brownlee: Sparks Among the Geysers; computer-set 

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• Brownlee: Sparks Among the Geysers; computer-set 

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• Philip Brownlee: Sparks Among the Geysers; audio 

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• Premieres 2004, Volume 4 

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• Two Works by Philip Brownlee  Year: 2004 

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