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Neville Hall  

a splinter of silence in the belly of time

Duration: 15' 00" Year: 1994
for string quartet and clarinet

Jeni Little  

Betwixt

Duration: 00' 30" Year: 1999
for flute, bass clarinet, bass trombone, cello and double bass

Neville Hall  

It Begins...

Duration: 05' 00" Year: 1991
for chamber ensemble of four clarinets and violin

  • Instrumentation
    4 cl (sop., 2 B flat, bass)
  • Programme Note

    Although each of the nine miniatures that comprise this set is a self contained formal entity, there are strong cyclic elements, particularly in their rhythmic and harmonic make up. These correspondences are due to the fact that all of the pieces draw from the same pool of source material. The nine pieces are arranged symmetrically around the central solo violin cadenza. The lengths of the pieces have been carefully controlled to reinforce this symmetrical arrangement.

  • Availability

John Psathas  

Nocturnes

Duration: 10' 00" Year: 1997
for saxophone quartet and percussion

Lyell Cresswell  

Of Whirlwind Underground

Duration: 18' 00" Year: 1999
for mixed chamber quintet

  • Instrumentation
    E flat clarinet, bass clarinet, bass trombone, cello and double bass
  • Programme Note

    The sound is of whirlwind underground
    Earthquake, and fire, and mountains cloven;
    The shape is awful like the sound,
    Clothed in dark purple, star-inwoven.

    Thus Panthea, an ocean nymph, describes the appearance of the Phantasm of Jupiter, or the ‘Tremendous Image’, summoned in anguish by Prometheus in Shelley’s Prometheus Unbound.

    Prometheus is seen here as a symbol of those who challenge tyranny for the sake of mankind. By stealing fire from Olympus to give to humans, Prometheus incurred the wrath of Jupiter. He was chained to a rock where, each day, an eagle tore out his liver, and each night it grew whole again. He cursed Jupiter and was hounded by the Furies.

    Maui stole fire from his grandmother Mahuika to give to humans and changed himself into an eagle to escape the flames.

    It is the energy of the curses, the hounding, the wrath of Jupiter, the flight of the eagle, the gift of fire, as well as the compassion of Prometheus and Maui that I have sought to reflect in the music.

    Of Whirlwind Underground is in one continuous movement comprising eighteen merging sections incorporating various combinations of instruments and solo breaks. The quintet grows from two musical ideas, one rhythmic, first stated by the double bass at the very beginning; and the other melodic, introduced straight after by the Eb clarinet. These ideas are juxtaposed, combined, protracted, contracted and variously transformed throughout the piece, while other accompanying and punctuating particles develop and take on greater significance as the music progresses.

  • Availability

Neville Hall  

the night recalls each flickering silence

Duration: 07' 00" Year: 1997, r. 1998
for flute and string quartet