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• Ritchie A.: A Mid-Term Trio; facsimile 

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• de Castro-Robinson: A Mob of Solid Bliss; facsimile 

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Antikythera is an island between Greece and a larger island called Kythera. It is the site of a very significant archeological find in 1901. The object was a complex piece of clockwork machinery designed to calculate astronomical positions It has been dated to 150-100 BC.

The device is remarkable for the level of miniaturisation and complexity of its parts showing a craftsmanship comparable t that of 18th century clocks.

The music seeks to convey the interaction between the components of the clockwork mechanism and the idea that this think has lain dormant for 2000 years and has been carefully reconstructed.

• Scholes: Antikythera; computer-set 

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• Peter Scholes: Antikythera 

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Before the Stars Begin To Shine is written for solo violoncello and timpani. The work is a comment on the period of time between the often picturesque part of the day when the sun sets and the stars begin to shine. In southern regions of New Zealand this part of the day is called twilight and is defined as the time between sunset and darkness. Twilight can also mean the period of time when life begins to draw to a close. When twilight is referred to in the context of a day it may have a joyous meaning, but when associated with the penultimate stage of a life cycle it can bring sorrow. This work was written in memory of a dear friend who was drowned on January 2nd, 1994.

• Hulford: Before the Stars; computer set 

  Full score | Pdf - computer set
  

• Hulford: Before the stars begin to shine; computer set 

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• Psathas: Calenture; computer-set 

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• Psathas: Calenture; computer-set 

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• John Psathas: Calenture; video 

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• Psathas: Eight Works 

  DAT
  

• John Psathas: Calenture 

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• John Psathas: Rhythm Spike  Year: 1999 

  CD
  
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’Ceol na Fidhle (pronounced ‘kee-OL na fiddle’), for violin and percussion, is based on Celtic bagpipe and fiddle tunes. The Gaelic title means ‘tunes for highland fiddle.’ Some of the tunes are obvious while others are almost hidden.

Prologue starts with a bang, and is followed by Hornpipe where a familiar tune dances and then scurries away beneath a disguise of accompanying notes and rhythmic displacement. The Boatman slows the pace and melodic decoration suggests the sound of bagpipes playing this rather wistful song. Finally, Reel returns to the highly-charged drive of the Prologue with a frantic and virtuosic ending.

Ceol na Fidhle was written in 1999 for Tasmanian musicians Rachel Bremner and Tom O’Kelly.

• Grenfell: Ceol na Fidhle; computer set 

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• Grenfell: Ceol na Fidhle; computer set 

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• Grenfell: Ceol na Fidhle; computer set 

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• Maria Grenfell: Selected Works 

  Cassette
  
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• Maria Grenfell: Ceol na Fidhle and Stealing Tutunui 

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• Music by Maria Grenfell 

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• Holmes: Colloquium; facsimile 

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• Holmes: Colloquium for two flutes and guitar; facsimile 

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‘Di Primavera’ for guitar and marimba was inspired by a trip to Italy, an astonishing place that overflows with artistry in every aspect of its culture. “Di Primavera” (‘of Spring’) is reminiscent of warm spring breezes inviting a late afternoon thunderstorm in the Tuscan hills, the lusciousness of Botticelli’s painting ‘Primavera’, and echoes of a melodic idea derived from Monteverdi’s fourth book of madrigals.

• Grenfell: Di Primavera; computer set 

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• Grenfell: Di Primavera; computer set 

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• David Malone: Fretsongs  Year: 2003 

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• Williams, M.: Diadrom; computer set 

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• Williams, M.: Diadrom; computer set 

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• Vidulich: Duet; facsimile 

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