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This work for brass quintet and narrator was written for the NZ Brass Quintet to perform in schools.

• Freed: A Nursery Tale; facsimile 

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• Freed: A Nursery Tale; facsimile 

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• Freed: The Circle and A Nursery Tale 

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• Wilby: Aro Street Cafe Suite; computer set 

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• Twomey: Ascension (Opus 14-V2); computer-set 

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• Twomey: Ascension (Opus 14-V2); computer-set 

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This version of Atthis is an adaption by the composer for Flute and Harp from the original song for Mezzo-Soprano and Guitar. The text of the Mezzo-Soprano and Guitar version was based on the poem To Atthis by Sappho (c.630 BC).

• Chris Adams: Atthis - downloadable PDF 

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• Chris Adams: Atthis - hardcopy score & part 

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This version of Atthis is an adaption by the composer for Viola and Guitar from the original song for Mezzo-Soprano and Guitar. The text of the Mezzo-Soprano and Guitar version was based on the poem To Atthis by Sappho (c.630 BC).

• Adams, C.: Atthis; computer-set 

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• Adams, C.: Atthis; computer-set 

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This short work composed for 175 East’s microscore project in 1999 is scored for a quintet of flute, bass clarinet, bass trombone, cello and double bass – yet it could easily be adapted for any combination.

• Little: Betwixt; computer-set 

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• Little: Betwixt; computer set 

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• Little: Betwixt 

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• 175 East: Microchix and newer stuff 

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• NZ Women Composers Vol. 3 

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This short celebratory piece is based on some of the stylistic qualities of John Elmsly’s and Leonie Holmes’ compositions.

Up to about the “golden section” (just over 3/5 of the piece), the pitch material is based on John’s name and uses some of his favourite intervals. The rest of the piece uses pitches from Leonie’s name and some of her favourite gestures as in the sudden fast rhythmic patterns.

The title is doubly significant. It refers not only to the piece itself with its celebratory ‘fanfares’ or ‘calls’ and their colourful resonances which lead the listener into another soundworld but also to the outstanding personal qualities of these two composers. Like most university staff, John and Leonie work industriously beyond the call of duty.

After listening to the 2012 CD of the Karlheinz Company, I realised that in my coloured resonances I had subconsciously used a similar technique found in John Elmsly’s striking work “Ritual Auras”. Such is the nature of serendipity.

• Rimmer: Beyond the Call; computer set 

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• Rimmer: Beyond the Call; computer set 

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• Canzona: Music for Younger Players 

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Transposed version of glimmer (1999).

• Gardner: brighter glimmer; computer-set 

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• Gardner: brighter glimmer; computer-set 

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A canon for three on eleven notes of the chromatic scale; in eight sections and a coda. Composed for the Auckland Philharmonia Ensemble Philharmonia concerts, where this canon received its first performance in November 2006.

• Carey: Canon for Three; facsimile 

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• Carey: Canon for Three; facsimile 

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