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Ray Twomey  

Ascension (Opus 14-V2)

Duration: 04' 15" Year: 1997
for two voices, piano and cello

Jeni Little  

Betwixt

Duration: 00' 30" Year: 1999
for flute, bass clarinet, bass trombone, cello and double bass

James Gardner  

brighter glimmer

Duration: 01' 00" Year: 1999
for flute, clarinet in A and trombone

Michael Smither  

Christmas Piece

Duration: 04' 45" Year: 1990
for chamber ensemble

Ray Twomey  

Ehagay Nakoda (Opus 21)

Duration: 04' 00" Year: 1998
for piano trio

Lissa Meridan  

gash

Duration: 01' 00" Year: 1999
a microscore for chamber ensemble

James Gardner  

glimmer

Duration: 01' 00" Year: 1999
microscore for bass flute, bass clarinet and bass trombone

Patrick Shepherd  

Intrada

Duration: 02' 00" Year: 1994
for four trombones, timpani and recorded tape

James Gardner  

Knot

Duration: 01' 00" Year: 1996
for bass clarinet and cello

  • Programme Note

    This miniature was written in 1996 as a wedding present for its dedicatees: bass clarinettist Andrew Uren and cellist Katherine Hebley. One source of the title, reflected in the music, is a line from John Donne’s poem The Extasie (1633), which—on one level—depicts two lovers
    physically and spiritually entwined.

    As our blood labours to beget
    Spirits, as like soules as it can,
    Because such fingers need to knit
    That subtile knot, which makes us man:
    So must pure lovers soules descend
    T’affections, and to faculties,
    Which sense may reach and apprehend,
    Else a great Prince in prison lies.

  • Availability

James Gardner  

Kvetch

Duration: 01' 00" Year: 1999
microscore for percussion, double bass, bass trombone and bass clarinet