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3trumpets, 2horns, 3trombones, tuba

• Whitehead: Antiphons; facsimile 

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• Whitehead: Antiphons; facsimile 

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1 E flat cornet, 5 B flat cornets, 1 B flat repiano cornet, 1 B flat flugelhorn, 2 B flat 2nd cornets, 2 B flat 3rd cornets, 3 E flat tenor horns, 2 B flat baritones, 2 B flat euphoniums, 2 B flat tenor trombones, 1 G bass trombone, 2 E flat bass, 2 B flat bass, snare drum, bass drum, cymbal.

Scored for full brass band (about 27 players) this work was originally written for a brass band competition.

• Freed: Aquarius March; facsimile 

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• Freed: Aquarius March; facsimile 

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• Rimmer: Arioso-Spiritoso; computer-set 

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• Rimmer: Arioso-Spiritoso; computer-set 

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• Harris: Arquebus; computer set 

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• Harris: Arquebus; computer-set 

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• Harris: Arquebus; computer-set 

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• Hall: beasts like shadows in glass; facsimile 

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trumpet in C; trumpet in B flat; horn in F; tenor trombone; tuba

Bold as Brass is written for a brass quintet consisting of two trumpets, horn, trombone and tuba. The work is designed to show to best advantage the varying qualities and abilities of each of these instruments, and accordingly there are solo passages and cadenzas for each. Hulford has experimented with each line as a “voice” and has manipulated and blended the differing timbres to excellent effect. The composition is in 3 movements. The first and third of these are reasonably fast and are somewhat aggressive in nature while the second is slower and reflective. The world premiere of the work occurred in Seoul, Korea, in October 1993 by members of the Korean National Orchestra. The work has not been performed in its entirety in New Zealand.

• Hulford: Bold as Brass; facsimile 

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• Hulford: Bold as Brass; computer-set 

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• Hulford: Bold as Brass; facsimile 

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2 trumpets in C; Horn in F; tenor trombone; tuba

Ritchie’s Brass Quintet is dedicated to his father, John Ritchie, and was composed in 1992 for the Canterbury Quintet. Unfortunately this ensemble folded before the work could be performed, and consequently the composer had not heard the work prior to the recording by the NZ Chamber Brass. Ritchie notes that, at the time of composing the work, he was fascinated by the work of several Minimalist composers, this influence being most apparent in the first two movements.

• Ritchie A.: Brass Quintet; facsimile 

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• New Zealand Chamber Brass - New Zealand Works for Brass Quintet 

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2 B flat trumpets, horn, tenor trombone, tuba

This composition is based on the first Kyrie Eleison, Christe Eleison from the Kyrie from Missa ‘Lux et Origo’

• Perkins: Brass Quintet 'Lux et Origo'; facsimile 

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• Farquhar: CANZ Box 4065; facsimile 

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• Farquhar: CANZ Box 4065; facsimile 

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• Cresswell: Canzone; facsimile 

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