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Taken from the Spanish word ‘Alborada’, Aubade (dawn) references Ravel’s great work Alborada del Gracioso. Opening with slow lyrical section the mood ranges between languid and energetic, contrasting the opening material with characterful Allegro sections. Originally composed for clarinet and piano, the piece was later orchestrated for Frank Gurr, at that time principal clarinet of the New Zealand Symphony Orchestra.

• Carr: Aubade; computer-set 

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• New Works for Clarinet and Piano - Anna McGregor, Emma Sayers and Buz Bryant-Greene 

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Cascade on a Ground Bass was written in 1980 for Lawrence Bradley and David Ruddock and had several performances by them in Kent. Lawrence also took it to America and gave more performances of the piece there, and it was performed recently (2001) at the Glamorgan Festival.

• Wegener: Cascade on a Ground Bass; computer-set  Year: 2001 

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• Margaret Wegener: The Piper of Dreams  Year: 2005 

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• Grenfell: Dancing in the Snake Pit; computer-set  Year: 2007 

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Inner Bellow was written for the clarinettist Gretchen La Roche in 2009-10.

• Chris Cree Brown: Inner Bellow - hardcopy score & CD part  Year: 2012 

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• Chris Cree Brown: Inner Bellow; video 

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• Chris Cree Brown: Inner Bellow; video 

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• Chris Cree Brown: Inner Bellow 

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• Biddington: Introduction; computer-set  Year: 1993 

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Ixion’s Wheel was written during the composer’s term as Mozart Fellow in 1993. The work is dedicated to Katherine Austin (piano) and Richard Foreman (clarinet), who gave the premiere performance in the Illot Concert Chamber, Wellington, during the ExtravaCANZa festival of November 1994. Mythology tells that on account of his aggression and lust, Ixion was lashed to a blazing wheel by Zeus, and sent whirling through the air to eternity. This work is the composer’s response to the sad fate of Ixion.

• Bowater: Ixion's Wheel; computer-set  Year: 1996 

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• New Zealand Composers: Franchi, Axtens, Bowater, Freed, Lockwood 

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• Waiteata Collection of New Zealand Music Vol. 8 - Chamber Music II  Year: 2005 

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‘Invitation to the Dance, my dear?’ – Carl Maria von Weber (1786 – 1826) is extending you his hand.

This is an affectionate tribute to this man’s music, in particular his clarinet music, upon which I was focusing as a performer at the time.

Weber was informally accorded the nickname ‘Kreutsalat’ – apparently it translates into English as something like ‘cabbage salad’.

• Audain: Kreutsalat; computer set 

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• Audain: Kreutsalat; computer set 

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Madrigal is based on the lute song Can She Excuse My Wrongs by the English composer John Dowland (1563-1626). It is built as a continuous series of free variations that progressively move further away from the original theme and that are not constrained by the original form or structure.

• Adams: Madrigal; computer-set 

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• Adams: Madrigal; computer-set 

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• Adams: Madrigal; computer-set 

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• Adams: Madrigal; computer-set 

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• New Works for Clarinet and Piano - Anna McGregor and Buz Bryant-Greene 

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• New Works for Clarinet and Piano - Anna McGregor, Emma Sayers and Buz Bryant-Greene 

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Meditation is an ideal recital work for advanced secondary school students and above looking to perform contemporary music. It was originally written for viola and piano and later was adapted for both alto saxophone and clarinet.

The work was written to highlight the lyrical qualities of the solo instrument with a piano accompaniment. As such, Meditation provides an opportunity for the soloist to shine through individual expression making it a perfect for solo recitals and competitions.

• Gareth Farr: Meditation (clarinet version) - hardcopy score 

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• Norman: Murphy's Law (clarinet); computer-set  Year: 2007 

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