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• Dellow: Fanfare and Finale; facsimile 

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• Dellow: Fanfare and Finale; facsimile 

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• Dellow: Fanfare and Finale; facsimile 

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• McLeod: He Iwi Kotahi Tatou (We Are One People); facsimile 

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• McLeod: He Iwi Kotahi Tatou (We Are One People); facsimile 

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For unaccompanied SATB choir this work has a Maori text which is attributed to Rangiamoa.

• Freed: Lament for Te Wano; facsimile 

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• Freed: Lament for Te Wano; facsimile 

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These three vocalises, using Maori vowel sounds, were first recorded by the Wellington members of the National Youth Choir. They were composed for the opening section of ‘Wahine Toa’, a dance theatre celebration of Maori female ancestral figures. This work was performed at Taki Rua Theatre in Wellington in 1992 and in Christchurch in 1993. The three pieces are: 1. Te Po Nui, Te Po Roa, where male voices hum a series of sustained chords. 2. The Earth Lay in the Womb of Darkness – inspired by Robin Kahukiwa’s painting of the same title. This choral vocalise by full choir begins with alto melodic line, soon building to a widely spaced texture of superimposed fifth chords. 3. Papatuanuku – the Separation of Ranginui and Papatuanuku. The vocalise begins gently, becoming increasingly contrapuntal, building to five strong chords, and ending with a sighing texture of vocal glissandi. Wahine Toa was choreographed by Keri Kaa, Jan Bolwell and Sunny Amey, and was commissioned with assistance from the Queen Elizabeth 11 Arts Council of New Zealand.

• Fisher: Papatuanuku; facsimile 

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• Fisher: Papatuanuku; facsimile 

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• Helen Fisher: Various Works 

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Inspired by sparkling waters of Tasman Bay Nelson, this choral work (SSAATB) was originally composed with flute accompaniment, which has been substituted in performances by the Shakuhachi (traditional Japanese flute) and also the Koauau (traditional Maori flute). There are recordings of Pounamu with each of these flutes. The piece’s choral texture uses Maori vowel sounds and a text which is a whakatauki (proverb) from the Waikato region.

• Helen Fisher: Pounamu (SOUNZwrite) - hardcopy study score  Year: 1997 

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• Helen Fisher: Pounamu - hardcopy vocal score  Year: 1997 

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• Helen Fisher: Pounamu - hardcopy score & part  Year: 1997 

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• Pounamu 

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• New Zealand Choral Music  Year: 1998 

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These two a cappella folksong settings were written for the 2011 – 2012 NZSSC to sing during their NZ concerts and on their trip to the Ihlombe South Africa Music Festival in July 2012 . The settings were based on existing folk melodies and texts and were designed to challenge the choir. ‘Lullaby’ is a gentle song featuring both Maori and English text, in which a mother encourages her child to go to sleep. The rousing ‘Altered Days’ relates a tale of changed fortunes, for the better, of an emigrant from Scotland to New Zealand.

• Richard Oswin: Sweet Sleep and Altered Days - hardcopy score 

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• Richard Oswin: Sweet Sleep and Altered Days - downloadable PDF 

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• NZSSC: Akoako i te rangi CD  Year: 2012 

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Na Aroha Yates-Smith koropupu ake ana nga wai o te matapuna he wai matao he wai reka ki te korokoro he wai tohi i te punua waiora waimarama wairua te puna o te tangata te putanga mai o nga reanga hei poipoi I nga taonga tuku iho pukenga wananga manaaki tangata tiaki whenua tamaiti taiohi taiao.

Bubbling upwards rise the waters from the spring cool, refreshing water fluid delighting the taste buds blessing the young water – life-giving, clear – the spirit. The springs of humankind producing generations who will nurture their inheritance learning from the storehouse of knowledge hospitality/generosity to all guardianship of the land Child Youth Universe. The waiata acknowledges the vital role natural springs have in providing clean, delicious drinking water, which nourishes humankind and the wider environment. The water is also used in traditional and contemporary forms of blessing our young. The line “waiora waimarama wairua” refers to the life-giving force of the water, its clarity and purity, and the spiritual essence which pervades it and every life force. The second verse focuses on the importance of generation after generation preserving all that is important: “Te puna o te tangata” refers to the fountain of humankind, that is, the womb which produces the future progeny of our people. From woman is born humankind: generations of people who continue to nurture and maintain those treasures passed down through eons of time: knowledge and wisdom, the importance of caring for others and looking after the environment. The final line, “tamaiti taiohi taiao”, creates a link between the (tiny) infant, youth and the wider environment, and ultimately the Universe.

• Whitehead: Taiohi taiao; computer set 

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• Whitehead: Taiohi taiao; computer set 

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• Whitehead: Taiohi taiao; computer set 

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• Tower New Zealand Voices: Spirit of the Land  Year: 2006 

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A song about taking care when you ride your skateboard!

• Audain: Taku Papawira; computer-set 

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• Audain: Taku Papwira; computer-set 

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• Audain: Taku Papawira; computer-set 

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The poem Tangi was written my Megan Simmonds, a New Zealand poet who lives in the Bay of Plenty. I wanted to explore the use of vocal overtones in this piece; they have often been connected with the spiritual or other-worldly in the various cultures where the technique is practiced. Whilst researching this subject I came across the poem Overtone by American writer W. S. Merwin:

…the names were read of those no longer there
that sound of what made no sound anymore
made up the chords that in a later year
some still believed that they could overhear

Notes by Carol Shortis

• Shortis: Tangi; computer-set 

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• Shortis: Tangi; computer-set 

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Te Heuheu Herea, a high chief of Ngati Tuwharetoa in the Taupo district, died in 1820 and was mourned by his son in this song of lament (waiata tangi). The text was collected by Sir Apirana Ngata in his book ‘Nga Moteatea’ of 1959. It is written in a dialect differing in several aspects from present day Maori. There is no record of the original chant; however this setting utilises some of the devices and conventions from that tradition.

• Marshall: Tangi; computer-set 

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• Marshall: Tangi; computer-set 

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• Marshall: Tangi and Real Gods 

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• Marshall: Tangi  Year: 1999 

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