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2200;timp,perc;strs with optional additional parts for a third flute, 2 oboes, bassoon, 2 horns in F, 2 trumpets in B-flat and 2 trombones. Percussion requirements: 2 timpani (25", 28") triangle, suspended cymbal, tambourine, cymbals, optional bass drum if pedal timpani unavailable

• Norman: Between the Rivers; computer-set 

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• Norman: Between the Rivers; computer-set 

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2222; 3200; timp, perc; strs

• Biddington: Christchurch City; facsimile 

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3 flute, 1 Oboe, 3 Clarinet, 1 trumpet, and strings with added bassoon

Composed in March 1992 and dedicated to the memory of Gavin Saunders. The first two movements comprise simple canons at the unison, with interludes, while the third is a chorale. Commissioned by Gary Bowler with funding from Creative New Zealand for the Hastings Youth Orchestra, who gave the first performance later that year.

• Carey: Dirge Canons; facsimile 

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• Carey: Dirge Canons; facsimile 

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• Carey: Dirge Canons; facsimile 

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• Music of the Americas and the Antipodes 

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2222; 4331; timp, 4perc (4th percusson optional); strs.

A spectacular orchestral showpiece – very virtuoso in effect, with quieter sections having lyrical solos for violin, trumpet, trombone and flute. Very exciting.

• Ryan: Fantastic Waltz; computer-set 

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• Ryan: Fantastic Waltz; computer-set 

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2232;3431; 2 alto sax; 1 tenor sax; 1 baritone sax; timp (3); 2 perc; string bass; also optional extra parts for euphonium and bass clarinet.

This work attempts to shake off ‘the blues’ with playful and vigorous musical ideas. It starts slowly and in sombre mood but this is quickly swept aside by a jolting ‘allegro’. A number of motivic-like themes are presented, and linked together during the piece. The syncopated idea at the beginning recurs as a kind of rondo theme in this one-movement work. ‘Goodbye to Blues’ was commissioned by the Christchurch Youth Symphonic Band and CSM, with funding from Creative NZ. It was first performed on the band’s tour of Hawaii, in 1992. While presenting some challenges to younger players it is not overly demanding in terms of technique.

• Ritchie A.: Goodbye to Blues; facsimile 

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picc213bcl2; 3300; timp.; perc.; strs

• Biddington: Little suite for orchestra; facsimile 

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Instrumentation is very flexible: desc recorders, fls, obs, cls, bns, hns, trps, trms, alto and tenor saxs, 3timp,perc: (4 players) 2xylo,2glock,bs-dr,wd-bl,cym; strs (vln 1,2,3)

Four easy pieces for amateur or school orchestra describing the following moods: ‘Ecstatic’, ‘Sad’, ‘Angry’ and ‘Happy’. The music is designed for school-age performers and features simple and strong rhythms. The work was commissioned by The Christchurch School of Instrumental Music, for use as a massed item at their annual combined concert.

• Ritchie A.: Moods for orchestra; facsimile 

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2222; 2220; harp; 2 percussion; strings

At the turn of the 20th century, “nicklettes” were short films that you could see, of course, for a nickel (5 cents). They would usually only be a few seconds in length, but at that time very few people had seen moving pictures before. Therefore, they were a constant delight to those who would so indulge. My suite of little pieces for children is a series of similarly short musical portraits of historic place that I have visited through the USA.

• Davidson: Nicklettes; computer-set 

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• Davidson: Nicklettes; computer-set 

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• Davidson: Nicklettes for orchestra; computer-set 

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• Davidson: Nicklettes; computer-set 

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• Matthew Davidson: Nicklettes 

  Digital sound file - wav
  

• Matthew Davidson: Nicklettes 

  Digital sound file - MP3
  

fl, cl, alt sax, ten sax, tr, trb, perc, drum kit, elec guitar, bass guitar, keyboard, piano

• Wilby: ONS 1; computer-set 

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flexible instrumentation, min: 2122;1110;2 perc (guiro, shaker, glock, xylo, temple block, tamb., tri., bongos, woodblock, tomtoms,woodslap),pf;strs (vln.1,2,3, vla opt.).

• Holmes: Scenes; facsimile 

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