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Cheryl Camm  

In the Teeth of It

Duration: 25' 00" Year: 1990, r. 1992
for marimba and string orchestra

  • Instrumentation
    violin I, violin II, viola, cellos
  • Programme Note

    This piece can be played as a concerto with string orchestra or as a marimba quintet with string quartet. If the piece is played as a concerto, the second movement should be for solo strings only.

    The piece was formally known as the Marimba Concerto, composed in 1990, and revised in 1992, and was first performed at that time by Richard Horne with string players from Auckland University in New Zealand. The piece was inspired partly by the concertos of Antonio Vivaldi and uses some techniques found in his concerti, such as elements of ritornello form and decorated melodic patterns in the slow movement. The 12-chord harmonic sequence of the first movement acts as a kind of “tonic” or home throughout that movement which utilizes both the rich chordal sonorities and more dexterous melodic capabilities of the marimba. The second movement is more expressive and defies a common misconception that percussion instruments are not suitable for emotion and sensitivity. The last movement was inspired by hearing the pounding rhythms and energy of African drumming and marimba playing and includes a cadenza which uses the full range of the solo instrument.

  • Availability

Leonie Holmes  

Scenes

Duration: 20' 00" Year: 1990
suite for youth orchestra

  • Instrumentation
    flexible instrumentation, min: 2122;1110;2 perc (guiro, shaker, glock, xylo, temple block, tamb., tri., bongos, woodblock, tomtoms,woodslap),pf;strs (vln.1,2,3, vla opt.).
  • Availability

Denis Betro  

Symphony No 1

Duration: 25' 00" Year: 1990, r. 2011
a symphony in four movements.

  • Instrumentation
    picc2222contra 4 331 Tp Perc(2) Str
  • Programme Note

    At age 15, during school holidays, I hitch-hiked the length of New Zealand from Dunedin to Auckland with various side trips in between. The sheer beauty and panorama of rolling hills, lofty mountains and shimmering sea entered my soul and stayed there. Sleeping rough in the great openness somehow connected me to the natural wonders that were all around me and this connection became ingrained and part of my being.
    The composing of my first symphony allowed me to relive that life changing experience and the work recalls impressions and emotions that I felt at the time, but not specific places.
    -Denis Betro

  • Availability

Cheryl Camm  

Trombone Concerto

Duration: 25' 00" Year: 1990, r. 2003
for tenor trombone and orchestra

  • Instrumentation
    3 (doubling alto and picc) 22 (doubling bass clar and E flat picc clar)2 (doubling contra bassoon); 42 (doubling flugelhorn)3 (incl. bass trom)1; timpani; percussion (4 players); harp; strings
  • Programme Note

    For tenor trombone and large orchestra, the delicate and serene moods of the trombone are explored extensively in this three movement concerto.

  • Availability

Lyell Cresswell  

Ylur

Duration: 27' 00" Year: 1990, r. 1991
for orchestra

  • Instrumentation
    2(+pc), 2(+ca), 2(+bs-cl), 2(+c-bn);4330; 3perc; strs.
  • Programme Note

    This eight movement orchestral work commissioned by the St. Magnus Festival is concerned with different aspects of sorrow. Along with the music there are pastel drawings on sandpaper by Maurizio Bottarelli which give different perspectives of the same search for an understanding of sorrow.

  • Availability