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Dorothy Ker  

a gentle infinity

Duration: 06' 00" Year: 2009
for full orchestra

  • Instrumentation
    3[1.alto.3/picc]3[1.2.ca]3[1.2.bs cl]3[1.2.contra], 4331, timp., 2 perc., piano/celestra, harp, strings[14.12.10.8.6]
  • Programme Note

    The overall conception of the piece is underpinned by an evolving, wave-like movement – continuous cycles stretching/compressing/proliferating. There is a strong connection to the sea, as in [… and…11], composed in 2002. A passacaglia of seven chords, gradually permutating until they eventually assemble into reverse order, form the ground or ‘canvas’. The various textural and linear surfaces of the piece all emerge from this ground as reflections, extensions, compressions, or distillations of the core material. Quarter-tones (division of the chromatic scale into 24 tones instead of the usual 12) enrich and intensify the harmony while rendering it more tactile and less pitch-defined.


    Review:

    “The 7-minute a gentle infinity…is both atmospheric and deft in Ker’s handling of a large orchestra, subtly dynamic (not least in the use of percussion), edgily communicative, and vibrant in its imagery; a piece full of good things, arguably cut off prematurely. Conducted by Pavel Kotla, the LSO once again suggested that Ker (in attendance) is a composer to watch out for.”

    -Colin Anderson, www.classicalsource.com

  • Availability

Gary Daverne  

A Musical Party

Duration: 07' 00" Year: 2001
for solo accordion and orchestra

  • Programme Note

    A Musical Party was commissioned by the New Zealand Accordion Association (NZAA) to commemorate their 30th anniversary in June 2001. The weekend and Musical Party was dedicated to Silvio De Pra, honouring him for his outstanding contribution to the accordion in New Zealand. He has chaired the Accordion Examination Board of NZ Inc. since its inception in 1972 and been chief examiner since 1992.

    A Musical Party was premiered by a massed accordion orchestra and conducted by the composer, Gary Daverne. It was later revised and arranged for solo accordion and symphony orchestra, which is the version that appears here.

  • Availability

John Rimmer  

Autumnal Alleluias

Duration: 06' 00" Year: 2006
for concert band

Martin Lodge  

Aër

Duration: 07' 00" Year: 2002
for full orchestra

Karlo Margetic  

Bioluminescence

Duration: 07' 00" Year: 2006, r. 2012
for orchestra

Pieta Hextall  

Bridge of Remembrance

Duration: 05' 35" Year: 2006
for full orchestra

Lyell Cresswell  

Con Fuoco

Duration: 09' 00" Year: 2004
for twelve-piece chamber ensemble

Thomas Goss  

Ecstasy of Flight

Duration: 09' 50" Year: 2002
tone poem for two violins and string orchestra

  • Programme Note

    Ecstasy of Flight captures a moment in the life of a child who longed for a companion in her isolated life in the precise middle of nowhere. She was visited by a powerful dream, of wings, the curling of the wind in the cloud-tops, the perfect peace of the blue land of the sun, and the shape of the world as one great, majestic song. That was the moment in her life from which she could look back later as an adult composer and say that it all began.

  • Availability

Samuel Holloway  

Fault

Duration: 06' 00" Year: 2004
for orchestra

Robbie Ellis  

Feral

Duration: 05' 30" Year: 2009, r. 2012
for full orchestra

  • Instrumentation
    2[picc]2[ca]2[bcl]2[cbsn]; 4331; timp.; 3perc.; strings
  • Programme Note

    Feral is the story of a creature that lives somewhere humans seldom go. His environment is dank and dark. Sunlight seldom penetrates the tree canopy – day is differentiated from night only by a thin translucent film. This area is down the side of a hill in a remote, inhospitable valley not easily accessed by others. Perhaps it’s a forbidding lost world at the back of your garden.

    The creature is aggressive, easily spurned, and thoroughly anti-social – both by environment and by choice. He has no need of a name, because nobody ever sees him long enough to give him one – or at least nobody lives to tell the tale. You find yourself on his turf. Nobody can hear you.

    You’re never to be heard from again.

    Feral was workshopped by the New Zealand Symphony Orchestra and conductor Hamish McKeich as a finalist in the 2009 NZSO/Todd Corporation Young Composers Competition. The piece was highly commended through winning the Orchestra’s Choice Award.

  • Availability