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• John Rimmer: Fleeting Images  Year: 1993 

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A work which explores the interaction between live flute and electronic sounds. Written for Dana Parkhill.

• Michael Norris: Chrysalis - downloadable electroacoustic part (mp3) 

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• Michael Norris: Chrysalis - downloadable PDF 

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• Michael Norris: Chrysalis - hardcopy score & electroacoustic part (CD) 

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• Michael Norris: Chrysalis; audio 

  Media on Demand | Embedded
  

• Norris: Chrysalis 

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• Rimmer: Crow; electroacoustic part 

  Part - recorded | CD
  
  $7.00
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• Rimmer: Electronic Sounds 

  Part - recorded | CD
  
  $15.00
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• Rimmer: Crow; facsimile 

  Full score | Pdf - facsimile
  

• Rimmer: Crow; facsimile 

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The electronic part for this work was prepared in the computer music studio of Simon Fraser University, Vancouver, using real-time granular synthesis to process samples produced by the viola. A small resource of bowed and plucked sounds has been treated in this way to produce a large-scale mosaic of sounds to background the solo viola part, which explores playing techniques involving small changes, drifts, in pitch. For instance the opening is played with the fingers in closer than normal position to produce rhythmic patterns on very small intervals, a technique which recurs as a sort of technical motto throughout, and later material makes considerable use of much larger slides to produce a very fluid melody in the upper reaches of the instrument.

The first performance was given by violist David Nalden in the
ExtravaCANZa festival at Victoria University of Wellington in November 1994. David Nalden describes ‘Drift’ as ‘a vast soundscape of seemingly infinite varieties of colour, pitch and rhythm which bore as much resemblance to the sequence of sounds in my initial recording as a luxuriant garden to a handful of seeds which had given it its existence.’

• Elmsly: Drift; computer-set 

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• Elmsly: Drift; facsimile 

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Television newsreader (spoken voice), Nobelman (baritone), Castelli (tenor), Galileo (baritone), Boy/Angel (mezzo soprano), Three Priests (tenor/baritones), Heretic (baritone), Christina (soprano), Military Man (baritone), Sea Captain (baritone), Troubadour (mezzo soprano), Cardinal Bellarmino (tenor), Pope Urban VIII (bass baritone), Pope John Paul II (baritone), small chorus of townspeople; flute doubling piccolo, oboe, clarinet doubling bass clarinet, horn, piano, percussion, violin and cello. Electroacoustic music played through at least eight loudspeakers. DVD of visuals.

• Rimmer: Galileo; electroacoustic part 

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• Rimmer: Galileo; computer-set 

  Vocal score | Pdf - computer set
  

• Rimmer: Galileo; computer-set 

  Vocal score | Hardcopy - computer set
  
  $35.00
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• Rimmer: Galileo (visuals) 

  DVD
  
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Yamaha SPX900, computer bass clarinet, E flat clarinet, B flat clarinet

• Scholes: Islands II (2nd movement)  

  Digital sound file - MP3
  
  $4.50
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• Different Tracks  Year: 1993 

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  $30.00
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fls(recs),obs(rec),cls (saxs), bsns (b.cls); tpts (saxes/hns) tbns (hns/tubas), piano, 2 perc, strings, tape (most players need extra percussion)

Kihikihi was written for an amateur orchestra with players of widely different abilities, therefore it is suitable for anything from a secondary school to a professional symphony orchestra. The conductor must have a suitably theatrical approach.

• de Castro-Robinson: Kihikihi; facsimile 

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can be played on two flutes

• Farquhar: Palindrome; facsimile 

  Full score | Pdf - facsimile
  

• Farquhar: Palindrome; facsimile 

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The sound of the saxophone has been processed by computer to create a dark and exaggerated sound world. The live saxophone spars with this new environment, sometimes aligning itself with, and sometimes divorcing itself from the electronic backdrop. Throughout, however, the instrument has only been reacting to a reflection of itself.

The tape part of this work was composed in the University of Auckland EMS and is comprised of computer modifications of a single saxophone gesture. This work won first prize in The University of Auckland Composition Prize Competition in l991 and received a “Mentione d’Onore” in the 16th Concorso Internationale “Luigi Russolo”, Varese, Italy in 1994. It has been frequently performed in New Zealand, Australia, USA and Europe.

• Hall: Reflexive; facsimile 

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• Hall: Reflexive; facsimile 

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• Hall: Reflexive; electronic part 

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Shanti is an electroacoustic work and an elegy. It is dedicated to four people – my close friend David who died from skin cancer in 1991; Georgia who died in 1997, a past student who was killed in a motorbike accident; my Nana who died in 1997; and Nusrat Fateh Ali Kahn who also died in 1997, the world’s finest Qawaali singer from Pakistan.


All of these deaths had a strong impact on me and inspired the composition of this work. Each of the dedicatees has a section (or verse) which refers directly to them. The piece ends with a life-affirming coda – the simple act of having the sun on our back always makes us feel better. The backing track is a digital soundscape with manipulated vocals layered throughout.

Jeni Little

• Little: Shanti; computer-set 

  Part - recorded | CD
  

• Little: Shanti; computer-set 

  Full score | Hardcopy - computer set
  
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• Little: Shanti; computer set  Year: 1999 

  Full score | Pdf - computer set
  

• Little: Shanti 

  Digital sound file - MP3