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Eve de Castro-Robinson  

Countercurrents

Duration: 12' 00" Year: 1989
for tenor saxophone

John Elmsly  

Dialogue 1

Duration: 10' 00" Year: 1988
for flute/alto flute and piano

  • Programme Note

    This specially commissioned work was first performed at the 1988 International Festival of the Arts in Wellington. The musical material is derived fromt he piano’s opening bar, and the resulting style combines the appealing simplicity of triadic harmonies with mathematical processes. There are three clear sections marked by the changes from flute to alto flute and back: outer sections exploiting the clarity and brilliance of the usual C flute, and a rich cantabile middle section for the larger (so deeper) alto flute where the piano provides a gentle accompaniment built on a a slowly contracting ostinato-like figure.

  • Availability

Martin Lodge  

Divisions for Wind Quintet

Duration: 13' 00" Year: 1986
for flute, oboe, clarinet, horn and bassoon

John Rimmer  

Projections at Dawn

Duration: 12' 00" Year: 1985
for B flat clarinet and electronic sounds

Christopher Blake  

Sounds - an Evocation of Tahuahua, Queen Charlotte Sound

Duration: 14' 00" Year: 1985
for wind quintet

Edwin Carr  

Two Mansfield Poems

Duration: 12' 00" Year: 1988
for oboe d'amore or cor anglais (english horn) and piano

Peter Scholes (composer)  

Wireless for Clarinet

Duration: 14' 00" Year: 1987
for solo clarinet