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Caprice was originally composed, as a commissioned work, for two duo pianos. It was premiered under the title ‘Duo Caprice’, in Auckland, July 1989. A few years later it was arranged for accordion orchestra with the title ‘Caprice’ and premiered in England by Jenny’s Accordionaires from Colchester.

• Daverne: Duo Caprice; computer-set  Year: 1989 

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‘Four Short Pieces’ were commissioned for Allen’s Australian Bicentennial Anthology of piano music, published in 1988 and now long out of print. The details of the first performance are unknown; the first performance I heard was by Anna Klymashivka in Sydney in 1996. The pieces perhaps suggest nature images, but the only one that was a reaction to something specific is the last, which was suggested by watching and hearing a beck in spate (or flooded stream) on the west coast of Scotland

• Whitehead: Four Short Pieces; computer set 

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• Whitehead: Four Short Pieces; computer 

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Interlude for Piano is written in a pointillistic melodic style first used in the previous work for piano, Diffractions for Piano & Chamber Orchestra. Interludes is a brief, freely evolving abstract piece with a somewhat improvisational feel to it, and is concerned with splashes of harmonic colour across the keyboard in the context of sinuous angular melodic fragments, hence the suggestion of the pointillistic aspect to the work.

It was written for the IRMT conference in Nelson in January 1988 and the piece was given its first performance by Mark Secker at the Nelson School of Music.

• Keay: Interlude; computer-set 

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• Keay: Interlude for Piano; computer-set 

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• New Zealand Composers  Year: 1994 

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• SOUNZfine Volume 1  Year: 1996 

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A quiet melody and countermelody accompanied by triadic harmonies in the middle register, composed by obtaining the various intervals used with the aid of a random number table.

• Carey: Melody; facsimile 

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• Carey: Melody; facsimile 

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• Daverne: Rhapsody for Solo Accordion and Orchestra; computer-set 

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• Gary Daverne: Accordion Concert Music 

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• Elmsly: Piano Sonata; facsimile 

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• John Elmsly: Sonata; audio 

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Sonatina in G was originally composed, as a commissioned work, for Stephanie Grey, while she was New Zealand Accordion Champion and principal accordionist with the Air New Zealand Accordion Orchestra. Stephanie was New Zealand solo accordion champion in 1985, 1987 and 1988. Stephanie premiered this work in Auckland in 1989.

• Daverne: Music for Accordion; computer-set  Year: 2006 

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• Gary Daverne: Accordion Concert Music 

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These three pieces are quite distinct in character, but all share a free ranging tonality and an interest in descending chromatic motion. The third requires a page turner who can also show divisions of time to indicate to the performers when to change the musical textures. Composed while I was a student at Victoria University of Wellington in 1988, this piece won the University Composers’ Competition of that year. The performers on that occasion were Ross Carey and Dan Poynton.

• Carey: Three Pieces for Piano Four Hands; facsimile 

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• Carey: Three Pieces for Piano Four Hands; facsimile 

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• McLeod: Eleven Tone Clock Pieces; computer-set 

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• Waiteata Collection of New Zealand Music Vol. 5 - Composer Portrait: Jenny McLeod 

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• SOUNZfine Volume 1  Year: 1996 

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• John Psathas: Waiting for the Aeroplane (SOUNZwrite) - hardcopy study score 

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• First Fifteen - a selection of piano music by NZ composers  Year: 1996 

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• Firestarters 2: seven new recital pieces for piano  Year: 2005 

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• John Psathas: Waiting for the Aeroplane; video 

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• John Psathas: Waiting for the Aeroplane 

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• John Psathas: Works 1 

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• SOUNZfine Volume 1  Year: 1996 

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• Michael Houstoun - Elusive Dreams  Year: 1996 

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• You Hit Him He Cry Out - Dan Poynton  Year: 1996 

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• John Psathas: Rhythm Spike  Year: 1999 

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• Firestarters 2: 7 new recital pieces for piano  Year: 2005 

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