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“Habits and routines and the struggle to change them……” Created for choreographer Sarah Major.

• David Downes: Saltwater  Year: 1993 

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2222; 2210; perc.(2), hp; strings

• McKenzie: Alice in Wonderland - a ballet suite; computer-set 

  Full score | Pdf - computer set
  
  $20.00

• McKenzie: Alice in Wonderland; computer-set 

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• Music by Lachlan McKenzie 

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with optional vibraphone. Originally for clarinet/saxophone, percussion and piano

• Whitehead: Angels born at the speed of light; facsimile 

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• Whitehead: Angels born at the speed of light; facsimile 

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2 sopranos playing percussion; 1 bass playing percussion; Bass; Tenor; Dancer; women's chorus; flute, alto flute, clarinet in A, bass clarinet, bassoon; horn, trombone, bass trombone; timpani, piano; strings (including solo electric violin); Percussion: Javanese drums, bass drum, tamtam and optional Javanese gong, gender, slentem, kempul.

An operatic setting of the dance-play by W.B. Yeats which is also performable as a dramatic cantata in a concert version. This is a one-act work and is ritualistic in nature reflecting Yeats’ modeling of the text on the Japanese Noh play. The music is at times dark and atmospherlc, and the archetypal symbolism and metaphysical suggestion of the text, wlth its archaic language and bleak images, is a rich source of inspiration for this. The musical language is comprehensive with tonality and atonality used in conjunction with each other to express literary ideas. Written for five solo singers with the main roles being a tenor and a bass, and a dancer, the backing ii provided by a 30 or so piece orchestra including piano, solo electric violin, and gamelan instruments.
(Programme note from composer’s website)

• Keay: At the Hawk's Well; facsimile 

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• Keay: At the Hawk's Well; facsimile 

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  $35.00
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• Nigel Keay: At the Hawk's Well; video 

  Media on Demand | Embedded
  

• Nigel Keay: At the Hawk's Well 

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• Nigel Keay: At the Hawk's Well 

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2*222; 4231; timp.; perc.(4); SATB chorus; vocal soloists; strings

• Harris: Black Ice; computer set 

  Full score | Pdf - computer set
  

violin and piano with parts for squeezebox

Dance music for violin, piano, squeezebox and percussion

It can be performed live as well, in part or in its entirety, though some effects are better achieved through the recording. The work is in nine sections which run continuously.

This work was composed for violinist Paula Smart and pianist Terence Dennis, who first recorded the work in March 1999.

• Anthony Ritchie: CONCERTINA  Year: 2012 

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  $30.00
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Composed for a dance production called The Race, which was staged during 1992, this work is a playful look at the movement of animals.

• New Zealand Music for Creative Dance (Volume Two) 

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  $34.00
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• David Downes: Saltwater  Year: 1993 

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• Palmer: Cypress; computer set 

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  $8.00
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• Palmer: Cypress; computer set 

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  $8.00
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• New Zealand Electronic Music 

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• New Zealand Electronic Music 

  Vinyl (LP or EP)
  

• Lilburn: Complete Electroacoustic Works 

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  $70.00
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The rich overtone resonances from low, rubber-stopped notes on the piano create sensuous single sound moments in the music. These Filipino gong music inspired resonances combine with slow European chorale-like gestures throughout to provide breath moments within an increasingly combative musical texture. The melodic-line derived from Bontok war-chant, usually the prerogative of men, finds full cry in erotic “sea ripples”, which in turn generates long-lyric lines expressive of the poem’s princess meditation on war. Even the chorale-like breath segments work in shortening gasps leading to transfigured Kulintang (Filipino percussion) segments whose dance-like momentum undergird the “metal timbre” climax of work. The text is drawn from Merlinda Bobis’ epic poem Cantata of the Warrior Woman Daragang Magayon – a revisionist re-telling of the Philippines ancient myth associated with the active volcano Mount Mayon. It charts the play of ambivalence and conviction of a beautiful maiden on the eve of battle and is interpreted by the composer as a metaphor of volcanic, erotically-fuelled anger against social injustice, not just in war but in cultural colonisation.

• Crossman: Daragang Magayon Cantata; computer  

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• Daragang Magayon Cantata - Bruce Crossman / Merlinda Bobis 

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• Bruce Crossman: Selected Works (1996-2001) 

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• Bruce Crossman: Intercultural Sounds 

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• Bruce Crossman: Selected Works (1996-2001) Vol. 2 

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• Double Resonances - Bruce Crossman  Year: 2008 

  CD