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A baby lying is No. 4 of The ‘Five Carols for 3 and 4 Parts’, which were written so as to be performable in more than one choral combination, for example, for women’s voices only with an optional part for men. Along with No. 3 Deep in the forest, those two carols are the darker pair of the set. However the numbering is no indication of performance order, where the five carols are being sung together as a group. In this case the following order is suggested: Nos. 2, 3, 5, 4, 1.

• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: A baby lying; computer-set 

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• McLeod: A baby lying; computer-set 

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• Buchanan: As Joseph Was A-Walking; facsimile 

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• Buchanan: As Joseph Was A-Walking; facsimile 

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Deep in the forest is No. 3 of The ‘Five Carols for 3 and 4 Parts’, which were written so as to be performable in more than one choral combination, for example, for women’s voices only with an optional part for men. Along with No. 4 A baby lying, those two carols are the darker pair of the set. However the numbering is no indication of performance order, where the five carols are being sung together as a group. In this case the following order is suggested: Nos. 2, 3, 5, 4, 1.

• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: Deep in the forest; computer-set 

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• McLeod: Deep in the forest; computer-set 

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Henna appears in two collections of carols. In a 2008 revision it is No. 5 from the Five Carol for 3 and 4 Parts. The original version of the carol appears in my earlier collection Sun Festival Carols.

• McLeod: Sun Festival Carols; computer-set 

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• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: Henna; computer-set 

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• McLeod: Henna; computer-set 

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• Wanganui Schola Sacra Choir: Pohutukawa Carols  Year: 2002 

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J’ai oui chanter (I heard the nightingale) is No. 1 of The ‘Five Carols for 3 and 4 Parts’, which were written so as to be performable in more than one choral combination, for example, for women’s voices only with an optional part for men. Along with No. 2 Je sais, vierge Marie (I know, O Virgin Mary) , the first two carols are the light-hearted pair of the set. However the numbering is no indication of performance order, where the five carols are being sung together as a group. In this case the following order is suggested: Nos. 2, 3, 5, 4, 1.

• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: J'ai oui chanter (I heard the nightingale); computer-set 

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• McLeod: J'ai oui chanter (I heard the nightingale); computer-set 

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Je sais, vierge Marie (I know, O Virgin Mary) is No. 2 of the ‘Five Carols for 3 and 4 Parts’, which were written so as to be performable in more than one choral combination, for example, for women’s voices only with an optional part for men. Along with No. 1 J’ai oui chanter (I heard the nightingale), the first two carols are the light-hearted pair of the set. However the numbering is no indication of performance order, where the five carols are being sung together as a group. In this case the following order is suggested: Nos. 2, 3, 5, 4, 1.

• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: Je sais, vierge Marie (I know, O Virgin Mary); computer-set 

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• McLeod: Je sais, vierge Marie (I know, O Virgin Mary); computer-set 

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A contemporary folk style worship song based on the Nunc Dimittis where Simeon and Anna recognise Jesus as the Messiah when he is presented in the temple by his parents as a baby. Suitable for unison or choral singing, it is in Eb, 4/4 time and in a flowing crotchet = 100. The simple piano accompaniment may be elaborated. Add guitar, bass, drums etc to suit.

• Russell: Let us Go in Peace; computer set 

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• Russell: Let us Go in Peace; computer set 

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A Catholic Mass containing settings for ‘Lord Have Mercy’, ‘Glory to God’, ‘Holy’, ‘Amen’, ‘Lamb of God’, written for congregational singing. The melodies for all but the ‘Glory to God’ section are derived from the Plainsong hymn, ‘Veni Creator Spiritus’ (Come Holy Spirit) and was originally written for the congregation of the Cathedral of the Holy Spirit, Palmerston North, New Zealand. The accompaniment is for simple keyboard; chordal names are also supplied. However, the sections apart from the ‘Glory to God’ may readily be sung unaccompanied. This mass was first published by Millennium Music Publications, Liturgy Centre, Private Bag 47 904, Ponsonby, Auckland, New Zealand, in Music for a New Millennium, 2003 (Edited by Sarah Hart).

• Parsons: Mass of the Holy Spirit; computer set 

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• Charles Cooper (ed.): Sing Praise Supplement; computer-set 

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• Adams, C.: Preces and Responses; computer-set 

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• Adams, C.: Preces and Responses; computer-set 

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