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Helen Fisher  

Nga Tapuwae o Kupe (The Footprints of Kupe)

Duration: 20' 00" Year: 1992
a bicultural work for school choir, instruments and dance

  • Instrumentation
    choir, percussion, Rarotongan drums, guitars (students), Taonga Puoro (koauau), piano, clarinet in B flat, alto saxophone, horn in F, flute, guitar (advanced performer)
  • Programme Note

    Nga Tapuwae o Kupe is a music drama directed by Rangimoana Taylor. It is based on the story of Kupe’s journey from Hawaiki to Aotearoa and his discovery of various landmarks around Whanganui-a-Tara / the Wellington region.

    While this work maintains a strong Maori theme, with karanga, haka and waiata, as well it weaves in other Pacific and European elements.

    For school choir, instrumentalists, dancers and kapa haka, this work was composed with the financial assistance of a composition grant from Queen Elizabeth II Arts Council, was first performed by 140 students from South Wellington Intermediate School in July 1992 for Artsplash, the Wellington Young People’s Festival.

  • Availability

David Hamilton  

Una Noche de Verano

 Year: 2010
for singing bowl and mixed-voice choir

  • Programme Note

    This setting of Antonio Machado’s poem is intended as a study in atmospheric textures. Little of the music is loud or dramatic, and much of the writing consists of repetitive patterns sung by the singers independently of each other. Machado, a Spanish poet of the early twentieth century, describes the simple image of a beach at night in summer, with a voice singing in the distance. Over the scene hangs the moon. The setting does not present the entire text, but uses only fragments of the poem. From the text the words “la luna” (the moon) are heard most often. A solo voice from within the choir sets the scene with the words “A summer’s night on the beach of Sanlucar…”.

    Throughout the work a singing bowl sounds in the background, beginning and ending with the single struck note. At times the bowl disappears into the texture and at times it is clearly audible – steady and unvarying.

    Una Noche de Verano was written for conductor Rowan Johnston and his choir Choralation (students of Westlake Girls’ and Westlake Boys’ High Schools, Auckland).

    David Hamilton

  • Availability