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‘Agitato’ is a conventional musical indication for a restless or agitated mode of performance. This is often interpreted as forward-momentum without any conscious acceleration, affecting an uneasy connection with the beat. In this piece the Agitato aspect is composed into the musical fabric as constant gestural and rhythmic variation.

• Gendall: Agitato; computer-set 

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• Gendall: Agitato; computer-set 

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The worship of the Celtic Goddess Sulis and the Roman Goddess Minerva gave rise to the cult of Sul-Minerva at the ancient springs situated in Southwest England. A visit to the site summons up a variety of underground imaginings – dark, steaming pools, slowly dripping water and faster running streams, ancient supplications, sacrifice, curses and prayers, fertility and healing.

• Leonie Holmes: Aquae Sulis - hire set 

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• Leonie Holmes: Aquae Sulis - downloadable PDF 

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• Leonie Holmes: Aquae Sulis - hardcopy score 

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• Harsono: Death, the hell (Chaos); computer-set 

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• William Harsono: Gelora and Death, the Hell 

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This work for chamber orchestra has been performed in New Zealand, Australia, Canada and the Ukraine.

• Rimmer: December Nights; facsimile 

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• Auckland Philharmonia Orchestra: New Zealand Music 1  Year: 1990 

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• Norris: From The Lonely Margins of The Sea; computer 

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• Norris: From the Lonely Margins of the Sea; computer-set 

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• Norris: From the Lonely Margins of the Sea; computer set 

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• Norris: From the Lonely Margins of the Sea; computer set 

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• Michael Norris: From the Lonely Margins of the Sea 

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• Pruden: Harbour Nocturne; facsimile 

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• Larry Pruden Collected Edition Volume 6A - Works for Orchestra (I)  Year: 2011 

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• Carr and Pruden: various works 

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• The Alex Lindsay Orchestra: Ring Round the Moon 

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• Ring Round the Moon  Year: 1963 

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• New Zealand Composers  Year: 1995 

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• Celebrate Wellington Concert  Year: 2005 

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• Vector Wellington Orchestra: Celebrate Wellington  Year: 2005 

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‘Hoata’ was written in 1979, while I was composer-in-residence for Northern Arts and a Fellow of Newcastle University, for the Northern Sinfonia, who, conducted by David Haslam, gave the first performance during the Newcastle Festival later that year. I wrote the piece, named for the Maori phase of the moon when the new moon is barely apparent, while I was living on the Northumbrian moors north of Hexham. It was a cold winter, and the snow around the small remote cottage, which was not well insulated, lay around for four months as blizzard followed blizzard, and something of the isolation and the environment seems to have got into the piece. ‘Hoata’ consists of sections built up in a mosaic-like manner, separated by freer sections, which may be cadenzas, or have a degree of improvisation; there is at times perhaps a suggestion of birdsong.

• Whitehead: Hoata; computer-set 

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• Whitehead: Hoata; facsimile 

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• Whitehead: Hoata; facsimile 

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• McLeod: Little Symphony; facsimile 

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• McLeod: Little Symphony; facsimile 

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• New Zealand Composers  Year: 1995 

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“And from about him fierce effusion roll’d Of smoke and bickering flame, and sparkles dire” John Milton Paradise Lost Book IV Smoke and bickering (or flashing) flame surround Messiah’s chariot “driving into the midst of his enemies” on the third day of the battle against Satan and his Angels. Unable to resist “they leap down with horror and confusion into the place of punishment prepar’d for them in the Deep: Messiah returns with triumph to his Father”. With consignment to “The Deep”, I imagine Satan’s followers must be faced with many conflicting emotions – even nostalgia for their past condition. “Of Smoke and Bickering Flame” comprises eight short movements. The movements are related to each other in pairs after the following pattern: I and VI, II and V, III and VII, and IV and VIII.

• Cresswell: Of Smoke and Bickering Flame; computer-set 

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• Dylan Lardelli: Pan Awakes - downloadable PDF 

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• Dylan Lardelli: Pan Awakes - hardcopy score 

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