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This short blessing was written for my choir St Mary’s Schola at St Mary’s College. It was composed for use in a performance at mass in St. Patrick’s Cathedral in Auckland.

The text is based on traditional Irish blessing, with a version of the concluding blessing often used in many services added at the end.

David Hamilton

• Hamilton: A Blessing for this Day; computer-set  Year: 2009 

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• The Treble Voice Choral Music of David Hamilton Vol. 3  Year: 2011 

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solo trumpet in B flat, 3 trumpets in B flat, 5 horns in F, 3 trombones, tuba

• Taylor: antiphony; computer-set 

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• Taylor: antiphony; computer-set 

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• Taylor: antiphony; computer-set 

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• Taylor: antiphony; computer-set 

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• Take Flight - Music from New Zealand for Intermediate Pianists  Year: 2010 

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• Take Flight - Music from New Zealand for Intermediate Pianists CD 1 

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• Take Flight - Music from New Zealand for Intermediate Pianists  Year: 2010 

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• Take Flight - Music from New Zealand for Intermediate Pianists CD 1 

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• Take Flight - Music from New Zealand for Intermediate Pianists  Year: 2010 

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• Take Flight - Music from New Zealand for Intermediate Pianists CD 1 

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This work is a from a set of Four Outdoors Pieces which can be played as single works or as a set. When played together the order should be: Spring Breezes, Clouds over Aoraki, Waikato fog and Kaimanawa wild horses.

• Take Flight - Music from New Zealand for Intermediate Pianists  Year: 2010 

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• Take Flight - Music from New Zealand for Intermediate Pianists CD 1 

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for solo percussion: triangle (medium size), cow bell, three suspended cymbals (small, medium and large), four temple blocks, a pair of bongos, four roto-toms and xylophone (or marimba); 3120; tenor sax; 0221(opt.); strings

This short work was written for the orchestra of Auckland Grammar School and a talented senior student percussionist. It is in a straight-forward tonal style, including a cadenza for the soloist.

The work consists of three main ideas. Follow a short introduction the xylophone presents the main melodic material of the first idea. The 2nd main idea is chromatic chord that builds through the orchestra several times. Against this the percussion has more angular melodic material and more syncopated rhythmic ideas. The second section builds to a climax which immediately gives way to the 3rd section which is fugal. The melody from the 1st section re-appears, not as the fugue subject, but rather as the counter-subject of the fugue. This section mainly features the woodwind section of the orchestra interacting with the percussionist. The fugue winds down into a short cadenza for the soloist, and then material from the opening two sections is recapitulated in abbreviated form. The music builds to a final climax.

The percussion part avoids exotic or unusual instruments, favouring basic equipment found in most school music departments with an active instrumental programme. The only tuned percussion instrument is a xylophone, with the remainder being a mix of wood, skin and metal instruments.

• Hamilton: Concertino for Percussion and Chamber Orchestra; computer-set 

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• Hamilton: Concertino For Percussion and Chamber Orchestra; computer-set 

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• Hamilton: Concertino for Percussion and Chamber Orchestra; computer-set 

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• Hamilton: Concertino For Percussion and Chamber Orchestra; computer-set 

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3 short pieces inspired by A.A.Milne’s Cottleston Pie verses :
1. “a fly can’t bird…but a bird can fly”
2. “a fish can’t whistle…and neither can I”
3. “why does a chicken…I don’t know why”

• Bowater: Cottleston Pie; computer set 

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• Bowater: Cottleston Pie; computer set 

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• Take Flight - Music from New Zealand for Intermediate Pianists  Year: 2010 

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• Take Flight - Music from New Zealand for Intermediate Pianists CD 2 

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This piece was written for an old friend of mine who was at that time resident in Japan, and wanted a tune for her flute and guitar duo. The ‘favour’ in question refers to said friend’s valiant attempts to find an urgently-required copy of a piece of sheet music, for me. After I sent her this piece, she RETURN-returned the favour by generously sending me a box of eclectic Japanese confectionery!

Yvette Audain

• Audain: Devuelve El Favor (Returning the Favour) - in C; computer-set 

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• Audain: Devuelve El Favor (Returning the Favour) - in C; computer-set 

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• AUDAIN: Devuelve El Favor (Returning the Favour) - in E flat; computer-set 

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• Audain: Devuelve El Favor (Returning the Favour) - in E flat; computer-set 

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• Audain: Devuelve El Favor (Returning the Favour) - in B flat; computer-set 

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• Audain: Devuelve El Favor (Returning the Favour) - in B flat; computer-set 

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