Sub Navigation

Search Music:

Search for music by typing a word or phrase in the box below or by selecting one or more categories from the list on the side.

Or search for products by selecting an option below, and typing a word or phrase in the box above

  • Scores
  • CDs and DVDs
  • Downloads
  • Education Resources

David Hamilton  

A Blessing for this Day

Duration: 02' 00" Year: 2009
for two-part treble voices and piano

Rosemary Russell  

A Wellington Christmas or Christmas Eve Reflections

Duration: 06' 00" Year: 2000
for three part treble choir with SATB choir and finger cymbals

  • Programme Note

    In the deepness of the night before Christmas, children dream of exciting and wondrous things: so do adults, but they are also fraught with arrangements and planning for the big day. a call for simplicity and remembering the loving and gifting nature of Christmas. This piece is performed “in the round” i.e. the adult choir encircles the audience and the children stand up the central aisle. The adult choir gradually moves around the audience and sings at times in smaller groupings. The audience does not know where the sound will come from next. The children need to be able to hold 3 simple parts. Finger cymbals are used to indicate stars and nocturnal animals create an interesting opening. It is depicts a New Zealand Christmas experience.

  • Availability

Ross Carey  

A Won for Buddha

Duration: 18' 00" Year: 2001
for piano - four hands

  • Programme Note

    Counting through the tones of ‘In a Landscape’ by John Cage, in the manner of counting a rosary. The title means an offering to Buddha; this is not so much a material offering but more that of a good heart.

    Composed in Toronto in June, 2001 and first performed by the Natsuki Emura Piano Duo in a concert of New Zealand piano music at MusiCasa, Tokyo in October 2001.

  • Availability

Jonathan Crehan  

Adam Lay Ybounden

Duration: 02' 00" Year: 2008
arrangement of the traditional carol for SSAA choir

Matthew Davidson  

After Brahms

Duration: 10' 00" Year: 2000
nine concert tangos for piano four hands

Maria Grenfell  

Alegria

Duration: 07' 00" Year: 2004
for orchestra

  • Instrumentation
    1(1)1(1)1(1)2; 4231; timp., 2 perc.; strings
  • Programme Note

    ‘Alegria’ is an education piece for children of primary school age. It focuses on aspects of rhythm and ostinato, and it is based on the flamenco principle of 3+3+2+2+2 (12 beat cycle). Flamenco music is based on Spanish gypsy music, and is often accompanied by clapping, so there are clapping parts included for members of the orchestra. The audience may learn the simple clapping patterns so they can accompany the orchestra when they hear the patterns. The central section in 5/8 is intended as an asymmetrical contrast to the duple and triple meters of the outer sections. “Alegria” means ‘joy’ or ‘happiness’ in Spanish.

  • Availability

Lachlan McKenzie  

Alice in Wonderland - a ballet suite

Duration: 21' 00" Year: 2003
a ballet suite for orchestra

Mark Smythe  

Alleluia

Duration: 05' 00" Year: 2007
for SSATB unaccompanied

Michael Norris  

Amato

Duration: 05' 00" (can vary) Year: 2008
for solo piano

Carol Shortis  

Amokura

Duration: 05' 00" Year: 2008
a lullaby for SATB choir with piano accompaniment

  • Programme Note

    Amokura refers to a red-tailed tropic bird, a rare visitor to Aotearoa/New Zealand, whose tail-feather is treasured by Māori. One such feather was incorporated into the design of a pūtōrino (flute) that Dr Melbourne played. This was one of the last songs Dr Melbourne wrote, and he never recorded it; as with all of his songs, only the words were written down. The song was written for his granddaughter, also called Amokura, who is perhaps the only person who ever heard it sung.


    Dr Melbourne devoted his life to restoring the voices of traditional Māori instruments, which had lain, unplayed in museums in Aotearoa/New Zealand and around the world. His passion for these taonga pūoro or ‘singing treasures’ shines through in the words of this song, where he likens Amokura to all those things most special to him.


    *No performance without prior consent of composer/Hirini Melbourne Whanau Trust

  • Availability