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• Wells: A New Zealand Suite; computer set 

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• John Wells: From the Land of the Long White Cloud  Year: 1991 

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An essay in tension between soloist and orchestra. In the first movement long cello solos are contrasted with outbursts from the orchestra; in the second movement cello and orchestra merge – the cello sound coloured by various doublings; and the last movement is a moto perpetuo again contrasting soloist with orchestra. Premiered by cellist Alexander Baillie, conducted by Matthias Bamert and the Scottish National Orchestra.

• Cresswell: Cello Concerto; facsimile 

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• Lyell Cresswell: Orchestral Music -1  Year: 1991 

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• Elmsly: Cello Symphony; facsimile 

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• Auckland Philharmonia: New Zealand Music 2  Year: 1990 

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• Besser and Prosser: Dark Wind Spring Rain  Year: 1986 

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• Besser and Prosser: 2 Islands  Year: 2004 

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• Rimmer: Coils; facsimile 

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• Rimmer: Coils; facsimile 

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• Biddington: L'Estro Armonico  Year: 2006 

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• Biddington: Concertos for Flute, Clarinet, Oboe, Viola and 2 Concerto Movements  Year: 2010 

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Flute Concerto No. 1 was written during 1987 for The Nova String of Wellington and their flute soloist, Karen Batten. This group gave the first public performance of this concerto at The Laings Road Methodist Church, Lower Hutt, during July 1988.

• Biddington: Concerto for flute and string orchestra; facsimile 

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• Biddington: Concerto for flute & string orchestra; facsimile 

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• Eric Biddington - Flute Concerto No.1 

  Digital sound file - MP3
  
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• Biddington: Flutes Concertos and Chamber Music  Year: 2001 

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• Biddington: Concerto for Two Violins and Strings; facsimile 

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• Biddington: Concerto for Two Violins and Strings; facsimile 

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• Eric Biddington - Finale from Concerto for Two Violins and String Orchestra 

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• Biddington: Cantilena  Year: 2005 

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• Powell: Devotion to the Small; facsimile 

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• Powell: Devotion to the Small 

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• Harlow - Powell: Radio NZ Archive Recordings 

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Fluchtig was composed in 1986. The title comes from the German word fluchtig – fleeting – used by Schoenberg and others in various compositions (eg. Op. 19 No. 1). The work is built around the interaction between flute multiphonics (two or more notes played simultaneously) with their characteristic ‘fleeting’ nature, and FM sound on tape.

• Ross Harris: Fluchtig 

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• New Zealand Sounds - October Sound 

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• Ross Harris: Inner Worlds  Year: 1993 

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