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alla marcia – adv. As a musical direction: in the style of a march. Also as adj., n. (Source: Oxford English Dictionary.)
Marcia Brady – A character from the 1969-1974 American television series The Brady Bunch. (Source: Wikipedia.)

General instructions/suggestions include:
- Gather a dozen or so wind and brass players. Have them memorise this music.
- The players should walk one by one from off-stage to on-stage.
- If possible, have them do a complete circuit across the stage, off the other side, through the backstage area, then back onto the stage through the original entry point.
- I encourage the use of surprising points of entry, e.g. balconies, strange doors, trapdoors, zip lines, time machines.
- Optional: incorporate the theme tune to The Brady Bunch in Bb major.

• Ellis: Alla Marcia Brady; computer set 

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• Ellis: Alla Marcia Brady; computer set 

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When Silencio Ensemble asked me to write the original piece, it was suggested that I write something inspired by or relevant to Canterbury – one possibility being a piece inspired by the landscape. In a funny kind of way, Mad Cow-Farmer’s Disease is inspired by the landscape – going to a Canterbury river and seeing the signs that say “Do Not Swim” or another where cows are loose in the riverbed and cow shit is all over the place.

It is inspired by dry riverbeds surrounded by farms with pumps constantly irrigating the land – the premise being that any ounce of water that makes it to the sea is wasted. These same farmers, self-titled “environmentalists,” use hypothetical science to justify their wanton destruction of the natural environment.

• Chris Adams: Mad Cow Farmers' Disease (Jazz Band version) - hardcopy score & parts 

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• Chris Adams: Mad Cow Farmers' Disease (Jazz Band version) - downloadable PDF 

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The title is quoted from Nigel Cox’s novel The Cowboy Dog. In the novel, there is a poetic contrast between the constant presence of the landscape, and an elongated sense of time and space, set against the smallness of the concerns of the human characters. The music contains a similar juxtaposition of small detail against a spacious backdrop, and a warping of the listener’s perception of musical time.

The stars like years is dedicated to the New Zealand Clarinet Quartet, and I am especially grateful to the Quartet for their close involvement in the compositional process. There are varying degrees of notational freedom in the score, from very loose rhythmic specification, to sections which are improvised using sets of notated gestural materials. The music derives much of its energy from the tension between spontaneous performance and the written-out structural framework.

The stars like years was commissioned for the New Zealand Clarinet Quartet, with funding from Creative New Zealand.

• Brownlee: The stars like years; computer set 

  Score and parts | Pdf - computer set
  
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• Brownlee: The stars like years; computer set 

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• Philip Brownlee: The stars like years; audio 

  Media on Demand | Embedded