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• de Castro-Robinson: A Resonance of Emerald; facsimile 

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• de Castro-Robinson: A Resonance of Emerald; facsimile 

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• de Castro Robinson: Works 1 

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Clairmont Triptych was written in fulfilment of a commission by Chamber Music New Zealand for the Auckland Wind Quintet with pianist David Guerin to perform on a New Zealand tour in 1988.

The music derives its inspiration and impetus from the work of the New Zealand painter Phillip Clairmont (1949 – 1984). He was something of an enfant terrible of the New Zealand art world, living his life and his painting with a reckless passion and energy. His work is vibrant and strong, conveying an intense and energetic power. Aspects of these elements are captured in the music, although it is not programmatic, but connects with paintings through analogy and allusion. Amongst the profusion of themes and ideas there are two prominent recurrent subjects in Clairmont’s work – the domestic interior and the self portrait. These form the thematic base of the first two of the three inter-linked movements of the work. The first movement, Interiors, mirrors the fractured vibrancy of the Clairmont interiors by use of a very fast toccata-like movement in sequences of fluctuating tempo. This creates a continuously “flexing” aural effect which reflects the unsettling quality of the images. The second movement, Self Portraits, uses a recurring three note motif C-B-Bb. These are the composer’s initials (C-H-B in German), thus the self portrait becomes ambiguous. The music seeks to realise to an extent the technique and viewpoint of the self portraits. The third movement, Jimi Rocks, refers to the influence of rock music on Clairmont’s painting, particularly during his studies and the early part of his career in Christchurch. The three movement formal structure is a musical equivalent of the triptych format Clairmont often used in his painting.

• Blake: Clairmont Triptych; computer set  Year: 1995 

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• Waiteata Collection of New Zealand Music Vol. 2 - Chamber Music  Year: 1997 

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Flute Concerto No. 1 was written during 1987 for The Nova String of Wellington and their flute soloist, Karen Batten. This group gave the first public performance of this concerto at The Laings Road Methodist Church, Lower Hutt, during July 1988.

• Biddington: Concerto for flute and string orchestra; facsimile 

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• Biddington: Concerto for flute & string orchestra; facsimile 

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• Eric Biddington - Flute Concerto No.1 

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• Biddington: Flutes Concertos and Chamber Music  Year: 2001 

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• de Castro-Robinson: Conundrums; facsimile 

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• de Castro-Robinson: Conundrums; facsimile 

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• John Rimmer: Fleeting Images  Year: 1993 

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• Elmsly: Dialogue III; facsimile 

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• Besser: Duo for violin and piano; facsimile 

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• Jonathan Besser: Duo for Violin and Piano; audio 

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• Jonathan Besser: Duo for Violin and Piano 

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• Cresswell: Eight Shaker Songs; facsimile 

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Five Vignettes of Women was commissioned in December 1987 by Christchurch flautist, Rebecca Steel, and was first performed by her in April 1988 with a women’s choir conducted by the composer. Each work has a subtitle and the texts are taken from the writings of the subject of each song: Virginia Woolf, Olivia Spencer-Brown, Robin Hyde, Fanny Buss and Katherine Mansfield.

• Buchanan: Five Vignettes of Women; facsimile 

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• Buchanan: Five Vignettes of Women; facsimile 

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• Buchanan: Five Vignettes of Women; facsimile 

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• Dorothy Buchanan: Olivia from Five Vignettes of Women; Con Brio; video 

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• Dorothy Buchanan: Olivia from Five Vignettes of Women; Craighead Chorale; video 

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• Buchanan: Five Vignettes of Women 

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• Music for Vienna: Bel Canto Choir 

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• The Big Sing Finale 2005  Year: 2005 

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• Buchanan: Mary Magdelene and the Birds; facsimile 

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• Buchanan: Mary Magdalene and the Birds; computer-set  Year: 1993 

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• Buchanan: Mary Magdalene and the Birds 

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• Bellingham, Dennis, Rawson: NZ vocal music  Year: 2006 

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