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fl. (3-3rd dbl picc.), ob. (3-3rd dbl CA), cl. in A (3-3rd dbl bass cl.), bsn (3-3rd dbl contra.), alto sax.; 4,3 (trumpets in C), 3,1; timp., perc. (5), hp, cel., pno; strings. Percussion includes tri., tambourine, sus. cymbal, clash cymbal, gong, xylophone, glock., bells, woodblk, claves, rattle, whip, side drum, bass drum.

• Lilburn: A Birthday Offering; computer-set  

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• Lilburn: A Birthday Offering; facsimile  Year: 1991 

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• Douglas Lilburn: A Song of Islands  Year: 1987 

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• Lilburn: Prodigal Country  Year: 1987 

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• Lilburn: Prodigal Country  Year: 1987 

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• Douglas Lilburn: Orchestral Music  Year: 1995 

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• Douglas Lilburn: Orchestral Works   Year: 2004 

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This work was written at the request of conductor Elise Bradley for her highly regarded choir Key Cygnetures at Westlake Girls High School (Auckland).

It was intended for a ‘mid-winter Christmas’ concert which was to also feature Britten’s A Ceremony of Carols. I therefore felt happy to turn to Christmas texts with some of the more traditional Christmas references (snow etc).

The first text is from the fifteenth century and is a general text mentioning Mary, the manger, the wise men, and the gifts they brought, and ends with call to delight in the Christ child. The second text, by G.K. Chesterton contains images of snow and night, and ends with the line that gives the work its overall title. The third text is a variant of the carol ‘I saw three ships come sailing in’ and may refer either to the medieval myth that Joseph and Mary travelled to England, or obliquely to purported journeys of the relics of the wise men. The fourth text is a lullaby by nineteenth century poet John Addington Symonds. Again the wise men and their gifts are mentioned along with the shepherds. The final text is another anonymous one, and is simply a brief and energetic welcome to ’heaven’s King’.

• Hamilton: A Child Comes Forth; computer-set 

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• The Treble Voice Choral Music of David Hamilton Vol. 2 

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• Farquhar: Anniversary Duos for Two Guitars; facsimile 

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• Farquhar: Anniversary Duos for Two Guitars; facsimile 

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flute, oboe, B flat clarinet, horn in F, bassoon

These six Chorale Preludes are arranged from Bach’s Orgelbüchlein, while Divisions on a Bach Pasacaglia Bass are from Bach’s organ Passacaglia and Fugue. The Preludes and Divisions may be played as a set, or as individual pieces.

• Farquhar: Bachiana; facsimile 

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flute, oboe, clarinet in B flat, horn in F, bassoon

• Farquhar: Bachiana No. 2; computer-set 

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• Farquhar: Bachiana No. 2; computer-set 

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A “deconstruction/recomposition” of a fifteenth century carol for 3 soloists and choir on the martyrdom of St Stephen. This dramatic work has become a standard text for study in schools through New Zealand. It has been recorded by the New Zealand National Youth Choir.

• Body: Carol to Saint Stephen; facsimile 

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• Jack Body: Carol to St Stephen  

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• Visions: New Zealand Choral Music 

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• Visions: New Zealand Choral Music 

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• New Zealand National Youth Choir: Te Roopu Rangatahi Waiata o Aotea Roa  Year: 1992 

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SSS AAA TTT BBB

The book of Job, Chapter 38, is the basis of the text from which ‘Et Misericordia’ makes a series of pictures. The title is from a phrase of the Magnificat: ‘and his mercy is on those that fear him, from generation to generation’. ‘Et Misericordia’ was written for the Sydney Chamber Choir.

• Maclean: Et Misericordia; facsimile 

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• Maclean: Et Misericordia; facsimile 

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• Clare Maclean: Et Misericordia 

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• Clare Maclean: Complete Choral Music 

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• Whitehead: Five Songs of Hildegard von Bingen; facsimile 

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• Whitehead: Five Songs of Hildegard von Bingen; facsimile 

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full symphony, harp 4 perc

Gallipoli was composed in memory of the World War I battle that took place between Turkey and Anzacs, symbolizing as a whole, the mutual good relations of the countries of Turkey, Australia and New Zealand, which are in friendly relations in our day. The message given by Turkey’s leader Ataturk after the war was one of humanism and friendship. This is still commemorated by both the ANZACs and the Turks with great importance every year.

The idea of writing this solo work for trumpet was born when Erden Bilgen met the composer in Auckland. It became formalized with the composer’s visit to Gallipoli in 2001 and a subsequent meeting between the two in Istanbul. Written in rhapsodic form in one movement, the music is not intended to interpret the horrors and negative aspects of war, but more the emotions and reflective times of the young ANZAC (Australian and New Zealand Army Corp.) and Turkish troops summoned to war on Turkish ground.

The opening trumpet fanfare is the call to war. In the middle section the composer uses a traditional folk theme from the Turkish region of Canakkale. There is a short cadenza and the orchestration requires a large symphony orchestra.

• Daverne: Gallipoli; computer-set 

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• Gary Daverne: Gallipoli 

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2222; tpt; perc. (1 player: timp. and tambourine); strings

Composed to celebrate the 21st birthday of the Hastings Sinfonietta, this single-movement work for trumpet, chamber orchestra and pipe organ is a meditation based on Psalm 100.

• Fazakerley: Jubilate; facsimile 

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• Fazakerley: Jubilate; facsimile 

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• Robyn Fazakerley: Jubilate 

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