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This short blessing was written for my choir St Mary’s Schola at St Mary’s College. It was composed for use in a performance at mass in St. Patrick’s Cathedral in Auckland.

The text is based on traditional Irish blessing, with a version of the concluding blessing often used in many services added at the end.

David Hamilton

• Hamilton: A Blessing for this Day; computer-set  Year: 2009 

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• The Treble Voice Choral Music of David Hamilton Vol. 3  Year: 2011 

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• Taylor: antiphony; computer-set 

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• Taylor: antiphony; computer-set 

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• Taylor: antiphony; computer-set 

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• Taylor: antiphony; computer-set 

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This piece was written for an old friend of mine who was at that time resident in Japan, and wanted a tune for her flute and guitar duo. The ‘favour’ in question refers to said friend’s valiant attempts to find an urgently-required copy of a piece of sheet music, for me. After I sent her this piece, she RETURN-returned the favour by generously sending me a box of eclectic Japanese confectionery!

Yvette Audain

• Audain: Devuelve El Favor (Returning the Favour) - in C; computer-set 

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• Audain: Devuelve El Favor (Returning the Favour) - in C; computer-set 

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• AUDAIN: Devuelve El Favor (Returning the Favour) - in E flat; computer-set 

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• Audain: Devuelve El Favor (Returning the Favour) - in E flat; computer-set 

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• Audain: Devuelve El Favor (Returning the Favour) - in B flat; computer-set 

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• Audain: Devuelve El Favor (Returning the Favour) - in B flat; computer-set 

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• Ellis: Drying Music; computer-set 

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• Ellis: Drying Music; computer-set 

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• Robbie Ellis: Drying Music; audio 

  Media on Demand | Embedded
  

• Hextall: Etude II; computer-set 

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• Hextall: Etude II; computer-set 

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For some reason we never seem to fully escape our formative influences. In this case it is the Dave Brubeck Quartet’s 1959 Time Out album, featuring the smooth, lyrical alto saxophone sound of Paul Desmond, as well as time signatures not yet widely heard by the general public on a jazz recording.

Why Grooves Unspoken? Because we do not speak music, we play (or sing) it.

• Audain: Grooves Unspoken; tenor or soprano saxophone version; computer-set 

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• Audain: Grooves Unspoke; tenor or soprano saxophone version; computer-set 

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• Audain: Grooves Unspoken; alto or baritone version; computer-set 

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• Audain: Grooves Unspoken; alto or baritone version; computer-set 

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• Yvette Audain: Grooves Unspoken 

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Heedless Conclusions was written for The Souls, January 2009, and the text used is from the poem of the same name by David Squire. It is a mix of something old and something new, a mix which I had a lot of fun with. It was written with the Auckland University Clocktower as the venue in mind, so there are plenty of moments where the acoustic can shine.

A lot of the poem’s meaning sits between the lines, and I still unravel it differently on each reading. Overall it is a journey through despair, discovery and triumph.

It was premiered as part of the Auckland Fringe Festival at the Auckland University Clocktower, Sunday 1st March, 2009.

• Youens: Heedless Conclusions; computer-set 

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• Youens: Heedless Conclusions; computer-set 

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This piece is in response to a call for scores in which the requirement was to spend no longer than one day writing a piano piece from start to finish. The piece was permitted to be of no longer than four minutes’ duration, and to take up no more than two notated pages. The theme was ‘Momentary Pleasures’.

Title explanation:
When I went to see a production of The Wizard of Oz, directed by a friend of mine, I glanced down at my brightly-coloured attire and realised that this colour scheme was not entirely dissimilar to that worn by the actors playing the munchkins.

- Yvette Audain

• Audain: Upon attending a performance of 'The Wizard of Oz'... only to find that you have inadvertently come dressed as a munchkin; computer-set 

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• Audain: Upon attending a performance of 'The Wizard of Oz'... only to find that you have inadvertently come dressed as a munchkin; computer-set 

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