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• The Jubilate Singers: Southern Landscapes  Year: 2011 

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This short blessing was written for my choir St Mary’s Schola at St Mary’s College. It was composed for use in a performance at mass in St. Patrick’s Cathedral in Auckland.

The text is based on traditional Irish blessing, with a version of the concluding blessing often used in many services added at the end.

David Hamilton

• Hamilton: A Blessing for this Day; computer-set  Year: 2009 

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• The Treble Voice Choral Music of David Hamilton Vol. 3  Year: 2011 

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This piece was originally the fifth movement of a short Christmas cycle (“Angels and Shepherds and Wise Men All”) was written in 2012 for the end of year concert by South Auckland Choral Society to be conducted by the composer. The concert included my school choir, St Mary’s Schola, and I was keen to write something that the combined forces (including the soloists) in the concert could sing together.

The cycle doesn’t try to encapsulate the entire Christmas story, but focusses on those characters on the edge of the story – the angels, the shepherds and the wise man. In this piece, the characters who gathered around the infant Jesus are focussed on: the animals, the angels and the shepherds.

• David Hamilton: A Child Lay in a Little Crib - hardcopy score 

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• David Hamilton: A Child Lay in a Little Crib; audio 

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• The Treble Voice Choral Music of David Hamilton Vol. 4  Year: 2013 

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• Freed: Five Fairburn Songs; computer-set 

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• Freed: A Farewell; facsimile 

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• The Music of Dorothy Freed 

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• Burning Bright - four NZ women composers  Year: 1999 

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Originally, A Jazz Burlesque was composed as a piano solo. It was later arranged for accordion trio, then for accordion orchestra. This string arrangement followed for the all female string ensemble ‘String Silhouette’.

• Daverne: A Jazz Burlesque; computer-set 

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• Daverne: A Jazz Burlesque; computer-set 

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• Gary Daverne: Gallipoli 

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• Hamilton: A peace prayer; computer set 

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• David Hamilton: A peace prayer; audio 

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• The Treble Voice Choral Music of David Hamilton Vol. 4  Year: 2013 

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• Mews: A Sound came from Heaven; computer-set 

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• NZ National Youth Choir on Tour North America  Year: 1994 

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• A Sound Came from Heaven  Year: 2007 

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This piece was inspired by the beguiling sounds of the aeolian harp to which I was first introduced by Chris Cree Brown. Said to have been first ‘discovered’ by the ancient Greeks, aeolian harps are intended to be played not by human hands, but by the wind. The strings vibrates through a range of harmonics creating an eerie effect difficult to describe.

Jack Body

• Body: Aeolian Harp; computer-set 

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• Mark Menzies in Concert 

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• Waiteata Collection of New Zealand Music Vol. 1 - A Violin and Piano Recital  Year: 1999 

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This piece was inspired by the beguiling sounds of the aeolian harp to which I was first introduced by Chris Cree Brown. Said to have been first ‘discovered’ by the ancient Greeks, aeolian harps are intended to be played not by human hands, but by the wind. The strings vibrates through a range of harmonics creating an eerie effect difficult to describe.


Jack Body

• Body: Aeolian Harp; computer-set 

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• Under the Southern Cross: works for cello 

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• Phil Dadson: Sound Tracks - solo improvisations  Year: 2004 

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