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A baby lying is No. 4 of the ‘Five Carols for 3 and 4 Parts’, which were written so as to be performable in more than one choral combination, for example, for women’s voices only with an optional part for men. Along with No. 3, Deep in the forest, those two carols are the darker pair of the set. However the numbering is no indication of performance order, where the five carols are being sung together as a group. In this case the following order is suggested: Nos. 2, 3, 5, 4, 1.

• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: A baby lying; computer-set 

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• McLeod: A baby lying; computer-set 

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A baby lying is No. 4 of The ‘Five Carols for 3 and 4 Parts’, which were written so as to be performable in more than one choral combination, for example, for women’s voices only with an optional part for men. Along with No. 3 Deep in the forest, those two carols are the darker pair of the set. However the numbering is no indication of performance order, where the five carols are being sung together as a group. In this case the following order is suggested: Nos. 2, 3, 5, 4, 1.

• McLeod: Five Carols for 3 and 4 Parts; computer-set 

  Full score | Pdf - computer set
  
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• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: A baby lying; computer-set 

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• McLeod: A baby lying; computer-set 

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• Freed: A Night Full of Nothing; facsimile 

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• Freed: A Night Full of Nothing; facsimile 

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• The Music of Dorothy Freed 

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This work for brass quintet and narrator was written for the NZ Brass Quintet to perform in schools.

• Freed: A Nursery Tale; facsimile 

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• Freed: A Nursery Tale; facsimile 

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• Freed: The Circle and A Nursery Tale 

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This choral work was written for Porirua City Choir in 2001 on the occasion of the September 11th terrorist attacks. The choir performed the work at St Andrews on the Terrace and at Te Papa in a program of works by New Zealand composers in December 2001.

A voice heralds the approach of Christmas. The Christmas star appears and nature responds to the Good News conveyed by the Spirit and angel choirs. Christ comes again to a troubled world, and sorrowfully passes by.

• Bray: Anno Domini; computer set 

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• Bray: Anno Domini; computer set 

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In 2010, I co-wrote The Lover’s Knot with playwright Renee Liang as part of the 2010-2011 Auckland Philharmonia Orchestra Composer Workshops, which led to a performance with actor Stuart Devenie and conductor Kenneth Young. Stuart played the role of Walter Bolton, the last man given the death penalty in New Zealand, in the hours before his execution.

Various instruments represent various characters in this story – clarinet for Bolton’s flighty paramour Florence, contrabassoon for the stench of death, and harmon-muted trombones for the justice system. Bolton’s ailing wife Beatrice is represented by extensive solos for the cor anglais. At the request of Lee Martelli, Education Manager of the APO, I excerpted one of these into a demonstration piece for an education concert.

• Ellis: Beatrice; hire set 

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• Ellis: Beatrice; computer set 

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• Ellis: Beatrice; computer set 

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This piece was written in 1991 for Ann Saslav. It is based on an imaginary scene from years ago when a railway branch line went through native bush in the Catlins area of New Zealand. The motif at the start is a bird-call the composer heard in the area. This piece is aimed at grade 7 or 8 level, and was initially performed in schools by Ann Saslav as part of an educational project.

• Ritchie, A: Two Pieces for the Saslavs; facsimile 

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• Ritchie A.: Two Pieces for the Saslavs; facsimile 

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• Ritchie A.: Birds & a Steam Train in the Catlins; facsimile 

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• First Fifteen - a selection of piano music by NZ composers  Year: 1996 

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• Expressions - piano music by Anthony Ritchie  Year: 2010 

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• Crehan: Celebrate (Shout With Joy!); computer-set 

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• Crehan: Celebrate (Shout With Joy!); computer-set 

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Twice a year we alter the clocks for daylight saving, so twice a year we have to battle with our digital clocks, each having its own particular method of adjustment.

• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

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• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

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Twice a year we alter the clocks for daylight saving, so twice a year we have to battle with our digital clocks, each having its own particular method of adjustment.

• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

  Full score | Pdf - computer set
  
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• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

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