Search Music:

Au began as a series of musical reflections on the Auroroa with pitch material based on the name of bass clarinettist Andrew Uren whose initials provide the title. This title, ‘Au’ is also the abbreviation for ‘aurum’, the Latin word for gold. As I was composing I realised that I was dealing with golden qualities not only of the sounds in the piece but also of the musicians in the ensemble 175 East who would be giving its first performance. This was particularly the case with the soloist Andrew Uren whose adventurous bass clarinet playing has revolutionised the way in which composers in New Zealand think about the instrument.

The work was commissioned by Andrew Uren with funding provided by Creative New Zealand and was first performed on 15 September 2002 at The Space, Wellington, by Andrew Uren and ‘175 East’ conducted by Hamish McKeich.

• Rimmer: Au; computer-set 

  Full score | Pdf - computer set
  
  $21.00
  • • Quantity:

• Rimmer: Au (hire set); computer set 

  Score and parts | Hardcopy - computer set
  
  • Hire

• Rimmer: Au; computer-set 

  Full score | Hardcopy - computer set
  
  $15.50
  • • Quantity:
  • Borrow

• John Rimmer: Au; audio 

  Media on Demand | Embedded
  

• 175 East: Microchix and newer stuff 

  CD
  
  • Borrow

• John Rimmer: Au  Year: 2002 

  CD
  
  • Borrow

• Rimmer: 'Au' – concerto for bass clarinet and ensemble  Year: 2002 

  CD
  
  • Borrow

• Andrew Uren: Steep Steps  Year: 2011 

  CD
  
  $30.00
  • • Quantity:
  • Borrow

Fission draws its name from the actions and reactions that characterise a lot of its material. The work was based on the concept of organised chaos ‘resolving’ to a chaotic organisation. Despite the apparently haphazard nature of the first section, it is in fact highly organised, while the last section, calmer and seemingly more ordered is in fact far less organised. The piano plays an important role providing much off the impetus for the introduction of new ideas and textures, introducing the first real melodic material in the solos of the middle section, and directing the harmony towards the greater resolution of the work’s end.

• Grant: Fission; computer set 

  Full score | Hardcopy - computer set
  
  $8.00
  • • Quantity:
  • Borrow

• Grant: Fission; computer set 

  Full score | Pdf - computer set
  

Edgard Varèse’s Octandre (1923) is arguably not trademark Varèse: missing are the menacing batteries of percussion that punctuate most of his important works. While the challenging idée fixe rhythmic unisons of works such as Ionisation are in evidence, in Octandre, melody is also to the fore.

The work is, to my ears, both clinical and expressive, and, after umpteen listenings, it remains modern and fresh. It is the one work above all others that I go to when seeking inspiration. So, as a means of perhaps peeling back a few layers of mystery surrounding Octandre and also as a way of demonstrating my gratitude to it, I have written this homage, using Varèse’s same instrumentation and three movement structure.

First Movement – a solo flute incites an angry mob.

Second Movement – ugly harmonies mingle with fairground-esque diversions and a sinking feeling.

Third Movement – whereas the first and the second movement used isolated, haphazardly-chosen fragments from Octandre to propel the discourse, this movement is anchored by motifs borrowed directly from the work, including the oboe, piccolo and bassoon openings of each of the first, second and third movements respectively and the brutal tutti rhythmic unisons of Varèse’s third.

As if to underline the composer’s reverence for Octandre, the final oboe note, taken from the stunning ending to Varèse’s first movement, is a semitone below that used by the Frenchman.

• Watson: Homage to Varèse's "Octandre"; computer-set 

  Score and parts | Pdf - computer set
  
  $28.00
  • • Quantity:

• Watson: Homage to Varèse's "Octandre"; computer-set 

  Score and parts | Hardcopy - computer set
  
  $28.00
  • • Quantity:

• Watson: Homage to Varèse's "Octandre"; computer-set 

  Full score | Pdf - computer set
  
  $18.00
  • • Quantity:

• Watson: Homage to Varèse's "Octandre"; computer-set 

  Full score | Hardcopy - computer set
  
  $18.00
  • • Quantity:
  • Borrow

• NZ Premieres 2008 Vol. 3 

  CD
  
  • Borrow

• Watson: Homage to Varèse's 'Octandre' 

  Digital sound file - MP3
  
  $5.00
  • • Quantity:

• Watson: Homage to Varèse's 'Octandre' 

  CD
  
  • Borrow

• Gardner: I like a bit of a cavort; computer set 

  Full score | Pdf - computer set
  
  $6.00
  • • Quantity:

• Gardner: I like a bit of a cavort; computer set 

  Full score | Hardcopy - computer set
  
  $6.00
  • • Quantity:
  • Borrow

• James Gardner: Selected Works 

  CD
  
  • Borrow

• Speak: Silk Dialogue V; computer-set 

  Full score | Hardcopy - computer set
  
  $23.00
  • • Quantity:
  • Borrow

• Speak: Silk Dialogue V; computer set 

  Full score | Pdf - computer set
  
  $23.00
  • • Quantity:

• Speak: Silk Dialogue V 

  CD
  
  • Borrow

• Margetic: Svitac; computer-set 

  Full score | Hardcopy - computer set
  
  $13.00
  • • Quantity:
  • Borrow

• Margetic: Svitac; computer-set 

  Full score | Pdf - computer set
  
  $13.00
  • • Quantity: