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flute (doubling bass flute & piccolo), B flat clarinet, two bass clarinets in B flat, trumpet in C, percussion (2 players), harp, piano, 2 violins, cello, electronics; percussion: Xylophone, glockenspiel, 3 triangles (small, medium, large), 3 suspended cymbals (splash cymbal, medium cymbal, large cymbal), 3 cowbells, 3 brake drums (or Thai gongs, or metal blocks, or a mixture), 3 Chinese gongs, 5 woodblocks, bass drum

• Norris: Icons and Artifice; computer-set 

  Full score | Hardcopy - computer set
  
  $28.50
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• Norris: Icons and Artifice; computer-set 

  Full score | Pdf - computer set
  

• Two works by Michael Norris 

  CD
  
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• Norric: Icons and Artifice 

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B flat clarinet, trumpet, piano, percussion, violin, double bass and CD

The march is connected with both military and alternative political gatherings. Trying to understand the form, I’ve been listening to Purcell’s Queen’s Funeral March, the conga playing of Quebec Summit protestors and the strangely military snap of Old Mother Hubbard (performed by the US Air Force Band). Revisiting this nursery rhyme, I was struck by the revolutionary aspirations of the last verse: The dame made a curtsey, The dog made a bow; The dame said, “Your servant,” The dog said, “Bow, wow.”

• Palmer: Mother Hubbard; electroacoustic part 

  Part - recorded | CD
  
  $7.00
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• Palmer: Mother Hubbard; computer set 

  Full score | Pdf - computer set
  
  $15.00
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• Palmer: Mother Hubbard; computer-set 

  Score and parts | Pdf - computer set
  
  $19.00
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• Palmer: Mother Hubbard; computer-set 

  Full score | Hardcopy - computer set
  
  $15.00
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• Palmer: Mother Hubbard; computer-set 

  Score and parts | Hardcopy - computer set
  
  $19.00
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• Palmer: Mother Hubbard; electroacoustic part 

  Digital sound file - MP3
  
  $7.00
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• Music by Juliet Palmer I 

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It is for amplified clarinet (with Ibanez Digital Delay DM1100), percussionist and drum machine (Roland TR606). It is for two human performers and a machine.

It is for amplified clarinet (with Ibanez Digital Delay DM1100), percussionist and drum machine (Roland TR606). It is for two human performers and a machine.
After extensive use of realtime signal processing during live performances with Ivan Zagni, Peter Scholes composed this piece for a series of concerts and a Radio New Zealand recording with percussionist Bruce McKinnon. The music contrasts the human performers with the mechanical precision of the drum machine. Sometimes the clarinet or the drum machine are processed through a delay device, the settings of which are varied throughout the piece to create different delay times and feedback effects.

The use of real time signal processing was also used by the composer in his composition “Islands II” which represented New Zealand in the 1993 UNESCO International Rostrum of Composers.
Later, Peter Scholes composed “Bonk” for Bruce McKinnon and the NZSO.

• Peter Scholes: Time For Three - downloadable PDF 

  Full score | Pdf - facsimile
  
  $13.00
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• Peter Scholes: Time For Three - hardcopy score 

  Full score | Hardcopy - facsimile
  
  $16.50
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• Peter Scholes: Time For Three; audio 

  Media on Demand | Embedded