Sub Navigation

Search Music:

Search for music by typing a word or phrase in the box below or by selecting one or more categories from the list on the side.

Or search for products by selecting an option below, and typing a word or phrase in the box above

  • Scores
  • CDs and DVDs
  • Downloads
  • Education Resources

Yvette Audain  

A Charleston Kick With Steel Caps

Duration: 06' 00" Year: 2011
for saxophone quartet

Yvette Audain  

A Charleston Kick With Steel Caps – alto sax quartet version

Duration: 06' 00" Year: 2011
for four alto saxophones

Chris Adams  

Arianna's Dance

Duration: 00' 50" Year: 2010
for clarinet quartet

Dylan Lardelli  

Arrangements

Duration: 08' 00" Year: 2011, r. 2012
for saxophone quartet

Robbie Ellis  

Banda Chiflada

Duration: 04' 00" Year: 2012
for saxophone quartet

  • Instrumentation
    SATB saxophone quartet
  • Programme Note

    Banda is a genre that sprang to life in the late nineteenth century when Mexican music collided with the polka of German immigrants. Traditional bandas are centred around the sousaphone and the tambora (a bass drum with a hi-hat on top). Beyond these, you’ll find further wind, brass and percussion instruments depending on the regional style: clarinets, saxophones, alto horns, trumpets, trombones, tarolas (snare drums) and more.

    A few months before writing this piece I’d seen a YouTube video of Chicago group Banda Sincera performing before a Mexican national team football match*. The atmosphere was party, the tempo was quick, the time was compound, the licks were virtuosic, and the pulse was always getting disrupted at the ends of sections. The band would pause, the tarolero and sousaphone dude would go off on a soloistic tangent, and then the band was back in for more of the same. They even stuck a conga-based cumbia in the middle! These guys were mental and I loved it.

    When I started on a piece for Saxcess I established the reasonably serious beginnings of Huff, but I kept getting pulled down this raucous Mexican garden path. I put the serious to one side, started a new score, took a few days to get this “banda chiflada” (crazy band) out of my system, and resumed composing Huff when I was done. They’re two very different pieces, but ultimately cut from the same cloth.

  • Availability

Graham Parsons  

Camptown Races

 Year: 2000
for recorder quartet

Robert Burch  

Capriccio for Four Saxophones

Duration: 06' 00" Year: 1966
for saxophone quartet

Alex Taylor  

eight pieces for wind quartet

Duration: 09' 00" Year: 2010
for wind quartet

  • Instrumentation
    for flute, oboe, clarinet and bassoon
  • Programme Note

    eight pieces for wind quartet was inspired by Ligeti’s extraordinary, dramatic work Ten Pieces for Wind Quintet, and my eight pieces uses this work as a model, where movements alternate between slow-moving, cloud-like textures and jittery, virtuosic interjections. The fragments of melody are constantly reaching outwards, the tense, at times nightmarish, harmonic language constantly straining, edging towards the elusive octave. Within the twelve-tone framework I wanted to create as much diversity and flexibility as possible, always keeping a tension between motion and stasis. Each piece is a kind of elaboration of the same melodic idea, a blueprint that is constructed differently each time, like seemingly unrelated episodes in a dream. Below is a short poem that I think embodies the miniature nature of each piece and the work as a whole.

    miniature

    if a dream came to you
    you might catch it, hold it,
    sculpt from it an elaborate

    memory, the husk of a rushed
    feeling, the miniature
    interior of a moment

    - alex taylor

  • Availability

Kenneth Young  

Elegy

 Year: 2010
for saxophone quartet

Michael Norris  

Honk!

Duration: 09' 00" Year: 2001
for saxophone quartet