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This short piece was written as a twenty-first birthday present for clarinettist Esther Smaill. The melodic fragment heard at the outset soon skitters over its own unstable surface, mutates into fanfare-like repetitions, is spliced with momentary cantabile inserts, is interrupted by slow motion signposts, and blows itself out in a final burst of energy.

• Gardner: Charge; computer-set 

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• Gardner: Charge; computer-set 

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• Gardner: Charge; computer-set  Year: 2000 

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This short piece was written as a twenty-first birthday present for clarinetist Esther Smaill. The melodic fragment heard at the outset soon skitters over its own unstable surface, mutates into fanfare-like repetitions, is spliced with momentary cantabile inserts, is interrupted by slow motion signposts, and blows itself out in a final burst of energy.

• Gardner: Charge; computer-set 

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• Gardner: Charge; computer-set 

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• 175 East Vol. 1 

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• James Gardner: Selected Works 

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• Gardner: Charge and other works 

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• Ears Wide Open Taringa Areare Education Resource CD  Year: 2000 

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• Sound Barrier  Year: 2006 

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• Andrew Uren: Steep Steps  Year: 2011 

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A work which explores the interaction between live flute and electronic sounds. Written for Dana Parkhill.

• Michael Norris: Chrysalis - downloadable electroacoustic part (mp3) 

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• Michael Norris: Chrysalis - downloadable PDF 

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• Michael Norris: Chrysalis - hardcopy score & electroacoustic part (CD) 

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• Michael Norris: Chrysalis; audio 

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• Norris: Chrysalis 

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• Rimmer: Composition 2; electroacoustic part 

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• Rimmer: Compositions 1-5; electroacoustic part 

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• Rimmer: Composition 2; facsimile 

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• Rimmer: Composition 2; facsimile 

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• Chamber Works Vol 1 (NZ Composers Edition) 

  Vinyl (LP or EP)
  

• Concertante Ensemble - Wind Quintets  Year: 1980 

  Vinyl (LP or EP)
  

During the 1970s John Rimmer produced a series of Compositions, for different instruments and electronic sounds. In Composition 4 the flute is accompanied by a gentle environment of string and percussive-like timbres. The flute writing contains a wide variety of expressive devices and overall bears an oriental influence, in particular that of the Japanese vertically blown shakuhachi.

• Rimmer: Composition 4; electroacoustic part 

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• Rimmer: Compositions 1-5; electroacoustic part 

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• Rimmer: Composition 4; facsimile  

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• Rimmer: Composition 4; facsimile 

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• New Zealand Sounds - October Sound 

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• Seaswell  Year: 1992 

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• Farquhar: Concerto for Wind Quintet; facsimile 

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• Farquhar: Concerto for Wind Quintet; facsimile 

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• Concertante Ensemble - Wind Quintets  Year: 1980 

  Vinyl (LP or EP)
  

• Rimmer: Crow; electroacoustic part 

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• Rimmer: Electronic Sounds 

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• Rimmer: Crow; facsimile 

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• Rimmer: Crow; facsimile 

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This piece arose out of collaboration with multi instrumentalist, Adam Page. The fixed media track was composed as a “virtual ensemble” to accompany a soloist. The title “Crunch Time” is representative of the manic and stressful character of the piece.

• Briar Prastiti: Crunch Time - downloadable PDF & backing track 

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• Briar Prastiti: Crunch Time - hardcopy score & CD 

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In many ways this is a companion piece to an earlier work, Vivid for solo trumpet, which also sets a powerful, sexually charged poem by Will Christie. But where Vivid is very often overtly violent and forceful in its gestures, deepwalker is mostly much subtler, almost passive-aggressive in outlook. The opening lines of the poem – “the day is a drum that connects these vocal loops with grey traffic circles bridge after bridge” – are mirrored in the cyclical, sometimes elliptical form of the work, loops and circles that play between registers of the clarinet. Sexual tension and aggression bubble away in the background, periodically rupturing the musical surface with piercing, angular outbursts, sometimes in parallel with the rather tender, fluid lines of the low register, and with the spoken text itself. This violent interplay creates a kind of disordered internal conversation, a bizarre hermetic character opening and shutting her windows; a clarinet of many voices.

Warning: contains coarse language

• Taylor: deepwalker; computer set 

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• Taylor: deepwalker; computer set 

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• Alex Taylor: deepwalker; audio 

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• Alex Taylor: deepwalker 

  Digital sound file - MP3
  

Projections at Dawn is a musical reflection of a pure unpolluted environment. The opening suggests the cool, calm atmosphere of pre-dawn. A lively dawn sun-dance follows.

• Rimmer: Projections at Dawn; electroacoustic part 

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• Rimmer: Electronic Sounds 

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• Rimmer: Projections at Dawn; facsimile 

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• Rimmer: Projections at Dawn; facsimile 

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• Rimmer: Projections at Dawn; facsimile  Year: 1986 

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• Seaswell  Year: 1992 

  CD
  
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