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• Farquhar: Au clair de la lune; facsimile 

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• Farquhar: Au clair de la lune; facsimile 

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• Farquhar: Echoes; facsimile 

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• Farquhar: Echoes; facsimile 

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For experienced violinist with beginner string ensemble, this piece was written for The Stringed Instrument Company staff members to play at their 2008 Christmas party celebrations. Cath Mayo performed the violin solo.

• Scholes, C.: Knees Up Mambo; computer-set 

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• Scholes, C.: Knees Up Mambo; computer-set 

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• Scholes, C.: Knees Up Mambo; computer-set 

  Score and parts | Hardcopy - computer set
  
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• Scholes, C.: Knees Up Mambo; computer-set 

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For experienced cellist with beginner string ensemble, this piece was written for The Stringed Instrument Company staff members to play at their 2008 Christmas party celebrations.

• Scholes, C.: Knees Up Mambo; computer-set 

  Full score | Pdf - computer set
  
  $10.00
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• Scholes, C.: Knees Up Mambo; computer-set 

  Score and parts | Hardcopy - computer set
  
  $13.00
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• Scholes, C.: Knees Up Mambo; computer-set 

  Score and parts | Pdf - computer set
  
  $13.00
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• Scholes, C.: Knees Up Mambo; computer-set 

  Full score | Hardcopy - computer set
  
  $10.00
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• Farquhar: March and Musette; facsimile 

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• Farquhar: March and Musette; facsimile 

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• Farquhar: O come all ye Faithful; facsimile 

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• Farquhar: O come all ye Faithful; facsimile 

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Near the start of play, a reference is made to the strings that the audience can hear, and Tennessee Williams is quite specific in where he wants music to be placed. The director of the production, Jesse Peach, and I decided that a solo violin would be the appropriate medium for the music for his Glass Menagerie.

The music is dominated by one particular theme, which is found in the Prelude. This theme symbolises the unfulfilled or unfulfillable dreams of the cast, and the resignation and quiet desperation that goes hand in hand with these. Other music is present: a theme to represent Amanda, the mother, whose recollections of a more “gentile” time motivate many of her decisions; music from the dance hall and a waltz off the gramophone; and these themes are frequently interwoven.

For practical purposes, numbers are often written longer than needed (eg. the waltz) as their endings need to coincide with stage action, sometimes abruptly. The forms are generally very simple, and I have felt that simple forms and material were best in combination with the drama.

• Young, A.: The Glass Menagerie; computer-set 

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• Young, A.: The Glass Menagerie; computer-set 

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  $20.00
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