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• Besser: Duo for violin and piano; facsimile 

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• Jonathan Besser: Duo for Violin and Piano; audio 

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• Jonathan Besser: Duo for Violin and Piano 

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• Crossman: Expression in Blue; facsimile  Year: 1988 

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• Waiteata Collection of New Zealand Music Vol. 1 - A Violin and Piano Recital  Year: 1999 

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• Langford: Mostly in B flat; computer-set 

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• Waiteata Collection of New Zealand Music Vol. 1 - A Violin and Piano Recital  Year: 1999 

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• Sound Barrier  Year: 2006 

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This rhapsody won the Philip Neill Prize for original composition from Otago University in 1982. The work is broadly in ternary form – two passionate sections flanking a quiet middle section of long cantando phrases; as though passion needs to be tempered and considered. It is demanding technically and emotionally of both performers.

• Caskie: Rhapsody for Violin and Piano; computer-set 

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• Caskie: Rhapsody; computer-set 

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• Caskie: Rhapsody for Violin and Piano; facsimile 

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• Prosser: Six Meditations; facsimile 

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• Christopher Prosser: Lament and Dance from Six Meditations; audio 

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• Prosser: Six Meditations  Year: 1988 

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Variations for Violin and Piano was written in 1982 while Nigel Keay was studying composition at Victoria University of Wellington. The work won the inaugural Composition Competition there in 1982, being played on that occasion by Bruce Corlett (violin) and Hugh Stevenson (piano). It is a single movement work, and although tied in with the formal study requirements of the day, the piece saw the establishment of a personal style and harmonic language that developed along a path of “atonality” during the eighties. In fact the composer considers that this work marks the beginning of his catalogue. Nigel Keay played the violin part of this essentially abstract piece shortly after it was written, reflecting his desire to create a work that would be enjoyed by its performers.

• Keay: Variations; facsimile  Year: 1985 

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• Waiteata Collection of New Zealand Music Vol. 1 - A Violin and Piano Recital  Year: 1999 

  CD
  
  $15.00
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