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• Wells: A New Zealand Suite; computer set 

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• John Wells: From the Land of the Long White Cloud  Year: 1991 

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• de Castro-Robinson: Efflux; facsimile 

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• de Castro-Robinson: Efflux; facsimile 

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• John Elmsly (ed.): Canzona Vol 7 No 23  Year: 1985 

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• de Castro Robinson: Works 1 

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• Young, K.: Fantasy for Two Pianos; facsimile  Year: 1991 

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• New Zealand Composers  Year: 1994 

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• SOUNZfine Volume 4  Year: 2000 

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This work is loosely based on the multi-section Buxtehude prelude, where different materials and textures are put together to form a suite of contrasting short pieces. The melodic motif C-B-G recurs throughout the piece: at the very opening; in the fugue subject; in the pedal line of the Aria and (in inverted form) in the Coda. For the historically minded, the Largamente introduction is a relic from an earlier Organ Sonata which was otherwise discarded.

• John Wells: Suite for Organ - hardcopy score 

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• Wells: Suite for Organ; facsimile  Year: 1985 

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• Wells plays Wells 

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• Charles: Five Little Pieces; computer-set 

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• First Fifteen - a selection of piano music by NZ composers  Year: 1996 

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Originally composed for Margaret Nielsen this set of short pieces for piano explores unconventional melodic styles inspired by the composer’s fascination with melodic styles outside the Western “classical” tradition, including, among others, bagpipe music, and the Chinese guqin zither. It has been recorded by both Margaret Nielsen and Daniel Poynton.

• Body: Five Melodies; facsimile  Year: 1984 

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• Body: Five Melodies; computer-set  Year: 1996 

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• First Fifteen - a selection of piano music by NZ composers  Year: 1996 

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• Jack Body: Five Melodies; video 

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• Jack Body: Five Melodies (mvts I, II, IV, V); Nielsen 

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• Jack Body: Five Melodies 

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• Sea Changes  Year: 1986 

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• You Hit Him He Cry Out - Dan Poynton  Year: 1996 

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• Biddington: Four Preludes; computer set  Year: 1997 

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• The Chamber Music of Eric Biddington 

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• Eric Biddington - Four Preludes for Piano 

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• Eric Biddington: Cupid and Pysche  Year: 2006 

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‘Four Short Pieces’ were commissioned for Allen’s Australian Bicentennial Anthology of piano music, published in 1988 and now long out of print. The details of the first performance are unknown; the first performance I heard was by Anna Klymashivka in Sydney in 1996. The pieces perhaps suggest nature images, but the only one that was a reaction to something specific is the last, which was suggested by watching and hearing a beck in spate (or flooded stream) on the west coast of Scotland

• Whitehead: Four Short Pieces; computer set 

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• Whitehead: Four Short Pieces; computer 

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A piano piece of beyond diploma difficulty. It depicts stormy conditions on the Desert Road which runs through the central North Island of New Zealand, passing through a large, elevated tract of barren land franked by three large mountains. The terrain produces some awe-inspiring displays of nature and the ancient Maori people crossed this land only when absolutely necessary. They called the area “Rangipo” (Dark Sky).

• Caskie: Landscape No 1. The Dark Sky; facsimile 

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• Caskie: Landscape No 1. The Dark Sky; facsimile 

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This work for solo piano has been described as “a haunting gem for a modern baby.” (Blanks, Sydney Morning Herald)

“In a simple arch structure of eight bar phrases, it progresses in variations from naive simplicity to what could almost amount to a nightmare in the centre, then back to slumbering innocence once again.” (Bibby, Music in New Zealand)

• Whitehead: Lullaby for Matthew (SOUNZwrite score); computer-set 

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• Whitehead: Lullaby for Matthew; facsimile 

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• Whitehead: Lullaby for Matthew; computer-set  Year: 1996 

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• First Fifteen - a selection of piano music by NZ composers  Year: 1996 

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• Tuhonohono 

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• Gillian Whitehead: Lullaby for Matthew 

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• SOUNZfine Volume 1  Year: 1996 

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• You Hit Him He Cry Out - Dan Poynton  Year: 1996 

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• New Zealand Colours – Alternative Works for Royal Schools Music Exams  Year: 2008 

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