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A baby lying is No. 4 of the ‘Five Carols for 3 and 4 Parts’, which were written so as to be performable in more than one choral combination, for example, for women’s voices only with an optional part for men. Along with No. 3, Deep in the forest, those two carols are the darker pair of the set. However the numbering is no indication of performance order, where the five carols are being sung together as a group. In this case the following order is suggested: Nos. 2, 3, 5, 4, 1.

• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: A baby lying; computer-set 

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• McLeod: A baby lying; computer-set 

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A baby lying is No. 4 of The ‘Five Carols for 3 and 4 Parts’, which were written so as to be performable in more than one choral combination, for example, for women’s voices only with an optional part for men. Along with No. 3 Deep in the forest, those two carols are the darker pair of the set. However the numbering is no indication of performance order, where the five carols are being sung together as a group. In this case the following order is suggested: Nos. 2, 3, 5, 4, 1.

• McLeod: Five Carols for 3 and 4 Parts; computer-set 

  Full score | Pdf - computer set
  
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• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: A baby lying; computer-set 

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• McLeod: A baby lying; computer-set 

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This work was commissioned by choral director Stuart Weightman for performance at Saint Kentigern School in Auckland. The brief was to write a work that could be performed by the school’s choir, but which also included a section for the parent’s choral group attached to the school. Also, ideally the work would include something for both groups to sing together. Finally, it should be possible for either of the separate choir sections to stand alone as independent pieces.

The suggested texts were a blessing from a bookmark given to all the boys at the school, and a blessing often used in chapel services. To the first text I added a couple of lines which closely matched the final section of the second text.

The work begins with a blessing in unison and then 2 parts for treble voices. This is followed by a blessing for SAB choir, and then finally the two earlier sections are performed simultaneously.

• Hamilton: A Blessing for Saint Kentigern; computer-set  Year: 2008 

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• David Hamilton: A Blessing for Saint Kentigern; audio 

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• The Treble Voice Choral Music of David Hamilton Vol. 3  Year: 2011 

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• The Treble Voice Choral Music of David Hamilton Vol. 4  Year: 2013 

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• Crehan: Adam Lay Ybounden; computer-set 

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Amokura refers to a red-tailed tropic bird, a rare visitor to Aotearoa/New Zealand, whose tail-feather is treasured by Māori. One such feather was incorporated into the design of a pūtōrino (flute) that Dr Melbourne played. This was one of the last songs Dr Melbourne wrote, and he never recorded it; as with all of his songs, only the words were written down. The song was written for his granddaughter, also called Amokura, who is perhaps the only person who ever heard it sung.


Dr Melbourne devoted his life to restoring the voices of traditional Māori instruments, which had lain, unplayed in museums in Aotearoa/New Zealand and around the world. His passion for these taonga pūoro or ‘singing treasures’ shines through in the words of this song, where he likens Amokura to all those things most special to him.


*No performance without prior consent of composer/Hirini Melbourne Whanau Trust

• Shortis: Amokura; computer-set 

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When Auckland Choral was asked to sing at the funeral of a highly regarded and long-standing member of the choir, I offered to compose something special for the service. It needed to be a piece that could be quickly learnt. Blessing was the result. The text is by Wellington-based poet Anne Powell who is a member of the Catholic order of the Cenacle Sisters.

Blessing is a short poem of healing for those “…who walk the earth”, and draws on images of the natural world – the light, the sea, and the wind. The piece is dedicated to the memory of Peter Gibbons, who particularly enjoyed the outdoors.

• David Hamilton: Blessing - hardcopy score 

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• Crehan: Celebrate (Shout With Joy!); computer-set 

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• Crehan: Celebrate (Shout With Joy!); computer-set 

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This short work for treble-voice choir and guitar sets a poem by Australian poet Kylie Johnson. Kylie is a visual artist as well as a published poet. Her website www.paperboatpress.com says:
During her study of Visual Arts and Film at QUT in Brisbane (1990-1993) Kylie met a group of artists and potters and became part of the group known as Amfora. Amfora held many group shows throughout its 12-year run, of which Kylie was a part of all.

It was through these years that Kylie also published three books of her poetry: Distant Shoes (1992), forty-eight minus one (1997) and the ivory birds (2000), the poetry book launches also coincided with solo exhibitions of her painting and collage work. In 1996 Kylie set up her business paper boat press, in its early stages creating a boutique greeting card range featuring her own whimsical one or two line poems. This has now grown to include ceramic ornaments, ceramic jewelry, original illustrations and functional ceramic vessels.

In recent years Kylie has joined forces with a group of Brisbane artists to form the Umbrella Collective. The six women work together towards group shows and sales of their work as well as creating a dialogue and support network for all aspects of their work and creative business.

Count Me the Stars sets a text taken from her most recent poetry collection of the same name. The poem is untitled, so I used the first line as a title for my setting.

• David Hamilton: Count Me the Stars - hardcopy score 

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• David Hamilton: Count Me the Stars; audio 

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• David Hamilton: Count me the Stars; video 

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• The Treble Voice Choral Music of David Hamilton Vol. 4  Year: 2013 

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Deep in the forest is No. 3 of The ‘Five Carols for 3 and 4 Parts’, which were written so as to be performable in more than one choral combination, for example, for women’s voices only with an optional part for men. Along with No. 4 A baby lying, those two carols are the darker pair of the set. However the numbering is no indication of performance order, where the five carols are being sung together as a group. In this case the following order is suggested: Nos. 2, 3, 5, 4, 1.

• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: Deep in the forest; computer-set 

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• McLeod: Deep in the forest; computer-set 

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Deep in the forest is No. 3 of the ‘Five Carols for 3 and 4 Parts’, which were written so as to be performable in more than one choral combination, for example, for women’s voices only with an optional part for men. Along with No. 4, A baby lying, those two carols are the darker pair of the set. However the numbering is no indication of performance order, where the five carols are being sung together as a group. In this case the following order is suggested: Nos. 2, 3, 5, 4, 1.

• McLeod: Five Carols for 3 and 4 Parts; computer-set 

  Full score | Pdf - computer set
  
  $10.00
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• McLeod: Five Carols for 3 and 4 Parts; computer-set 

  Full score | Hardcopy - computer set
  
  $13.00
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• McLeod: Deep in the forest; computer-set 

  Full score | Pdf - computer set
  
  $6.00
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• McLeod: Deep in the forest; computer-set 

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