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• Dellow: Fanfare and Finale; facsimile 

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• Dellow: Fanfare and Finale; facsimile 

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• Dellow: Fanfare and Finale; facsimile 

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• Buchanan: Five Songs of Love; facsimile 

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• Buchanan: Five Songs of Love and the Land; facsimile 

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• Buchanan: Five Songs of Love and the Land; facsimile 

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• Dorothy Buchanan: Five Songs of Love and the Land; audio 

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• Five Songs of Love and the Land  Year: 1992 

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Although the title comes from the hymn All People That On Earth Do Dwell, this work is more concerned with the pleasures and pitfalls of aging, than with piety. The texts are from a collection of writings (both poetry and prose) associated with each age from birth to 99 years old. The selection I made was purely of those items which appealed to me personally – some are humorous, others more serious, some cynical whereas others contain wisdom.

From Age to Age Endure was commissioned by Auckland Youth Choir, and is affectionately dedicated to them and their conductor at the time, Brigid McLafferty. I was asked to write a work with jazz influences, and although not a great jazz fancier, I hope I have created a work which is fun to sing and enjoyable to listen to. The work is scored for solo soprano, SATB choir and small ensemble (or piano duet).

David Hamilton

• Hamilton: Epitaph to Mrs Freland; computer set 

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• Hamilton: From Age to Age Endure; computer set 

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• Hamilton: From Age to Age Endure; computer set 

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• Hamilton: Jerry Jones; computer set 

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• Noises, Sounds and Sweet Airs  Year: 1990 

  CD
  
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• The Big Sing Finale 1999  Year: 1999 

  CD
  
  $32.00
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Ha! Hoo! Oh… hey! Omm…

• Ellis: Ha!; computer-set 

  Full score | Pdf - computer set
  
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• Ellis: Ha! ; computer-set 

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  $18.50
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• Robbie Ellis: Ha!; video 

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Ha! Hoo! Oh… hey! Omm…

• Ellis: Ha! computer-set 

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• Ellis: Ha!; computer-set 

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• Robbie Ellis: Ha!; video 

  Media on Demand | External - video
  

• Robbie Ellis: Ha!; audio 

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• Chamber Vulgarus - Autumn 2011 

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• New Zealand Composers Concert 

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Low Tide – Aramoana is a setting of a poem by Cilla McQueen, and is used with her kind permission. The piece, written for large choir and a small brass ensemble, is an evocation of an estuary at the turn of the tide. Although the poem itself describes Aramoana at the mouth of Otago harbour (significant at the time because of the threat of the aluminium smelter that, because of the strength of local protest, was in fact not built), for the composer it was the estuary where the Ruakaka river meets the sea south of Whangarei that was significant.

• Whitehead: Low Tide Aramoana; computer set 

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• Whitehead: Low Tide Aramoana; facsimile 

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• Buchanan: Magnificat; facsimile 

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• Buchanan: Magnificat; facsimile 

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Percy, Percy! is the first piece of the set of five songs which was commissioned in 2009 by the Alnwick Community Development Trust as part of their Hotspur Festival, celebrating 900 years of the Percy family in Northumberland. The songs were inspired by the history and beauty of Northumberland and also by the quirky and insightful writings in his 1835 book “Rambles in Northumberland and the Scottish Borders” of William Andrew Chatto, whose words have been moulded into the lyrics of the songs by the composer.

Chatto is fond of recounting tales, which in turn were told to him on his travels, in the dialect of the original storyteller, and this is reflected in the songs particularly the second, in which various fishing tales from the Coquet are chronicled, and the fourth in which the traveller ventures rather anxiously down a coal mine. The first song gathers together an assortment of Hotspur (a particularly feisty medieval member of the family) war cries from various sources into a fighting collage, the third explores in advisory tone the various difficulties a traveller may encounter hereabouts, and the fifth is an intoxicated drinking song in which all participants indulge in a bit of irregular staggering about and generally become more merry as time wears on.

• Camm: Hotspur Festival Songs; computer-set 

  Score and parts | Pdf - computer set
  
  $44.00
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• Camm: Hotspur Festival Songs; computer-set 

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  $40.00
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• Camm: Percy, Percy!; computer-set 

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  $12.00
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• Camm: Percy, Percy!; computer-set 

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  $11.00
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• Camm: Hotspur Festival Songs; computer-set 

  Score and parts | Hardcopy - computer set
  
  $44.00
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• Camm: Hotspur Festival Songs; computer-set 

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• Camm: Percy, Percy!; computer-set 

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• Camm: Percy, Percy!; computer-set 

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Inspired by sparkling waters of Tasman Bay Nelson, this choral work (SSAATB) was originally composed with flute accompaniment, which has been substituted in performances by the Shakuhachi (traditional Japanese flute) and also the Koauau (traditional Maori flute). There are recordings of Pounamu with each of these flutes. The piece’s choral texture uses Maori vowel sounds and a text which is a whakatauki (proverb) from the Waikato region.

• Helen Fisher: Pounamu (SOUNZwrite) - hardcopy study score  Year: 1997 

  Full score | Hardcopy - computer set
  
  $12.50
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• Helen Fisher: Pounamu - hardcopy vocal score  Year: 1997 

  Vocal score | Hardcopy - computer set
  
  $10.00
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• Helen Fisher: Pounamu - hardcopy score & part  Year: 1997 

  Score and parts | Hardcopy - computer set
  
  $25.00
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• Pounamu 

  Cassette
  
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• New Zealand Choral Music  Year: 1998 

  CD
  
  $25.00
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This mystical poem by the Persian 13th Century poet, Rumi, makes links between music, love and people’s ability to reflect spiritual principles. The setting requires a very competent choir with awareness of mood changes between the statements ‘we are the flute’. The placement of the small number of sopranos at a distance will enhance the ethereal effects.

• Caskie: Remembered Music; facsimile 

  Full score | Pdf - facsimile
  

• Caskie: Remembered Music; computer-set 

  Full score | Pdf - computer set
  

• Caskie: Remembered Music; facsimile 

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• Caskie: Remembered Music; facsimile 

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