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This celebratory work for choir and orchestra consisting of three Christmas ‘scenes’ brings together arrangements of 15th, 16th and 17th century carols with some of the well-known traditional carols. The audience can be invited to join in with a carols in each section including O Little Town of Bethlehem, The First Nowell and O Come All Ye Faithful.

• Farquhar: A Christmas with Carols; facsimile 

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• Farquhar: A Christmas with Carols; facsimile 

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• Hinds: After Midnight; facsimile 

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• Hinds: After Midnight; facsimile 

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• Gordon: Away in a Manger; computer set. 

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• Gordon: Away in a Manger; Computer set 

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A New Zealand Christmas carol for kids, mostly in unison or echoing separate parts. The carol emphasises the continuity of family life through the ages.

• Caskie: Before the Paling of the Stars; computer-set 

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• Caskie: Before the Paling of the Stars; computer-set 

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• Caskie: Before the Paling of the Stars; computer-set 

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• Caskie: Before the Paling of the Stars; computer-set 

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A rhythmic, antiphonal and dramatic fanfare for 8-part mixed choir. Part of ‘Five Christmas Fanfares’ each of which uses a Latin text from the Christmas services.

• Camm: Five Christmas Fanfares; computer set 

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• Camm: Five Christmas Fanfares; computer set 

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• Camm: Cantate Domino; computer set 

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• Camm: Cantate Domino  Year: 1999 

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This carol was intended to capture something of the Christmas festival as it is experienced by most New Zealanders. The first verse sets the scene in the beaches which begin to attract more and more people as the school holidays end and the warm weather arrives. The second verse describes something of the hectic shopping spree that precedes the giving of Christmas presents. The last verse relates the festival to its origins in the birth of Jesus. In a land of many trees and forests, an important feature of the celebration of Christmas has been the provision and decoration of the Christmas tree. The Pohutukawa tree flowers in December, and is sometimes referred to as “the Christmas tree”. The last verse of the carol includes a reference to the tree that must have yielded its boughs for the cross on which the Christmas child was ultimately to perish. There are several versions of the carol; CA30 for SATB and organ, through-composed. CA30a for easy SATB (all verses to the same music) with optional organ/piano/guitar. CA30b for unison voices with simple piano or guitar accompaniment.

• Baker: Carol of the Festival Tree; computer-set 

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• Baker: Carol of the Festival Tree; computer-set 

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A rhythmic, antiphonal and dramatic fanfare for 8-part mixed choir. Part of Five Christmas Fanfares each of which uses a Latin text from the Christmas services. Hodie Christus Natus Est is one of several choral pieces written especially for school choirs.

• Camm: Five Christmas Fanfares; computer set 

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• Camm: Five Christmas Fanfares; computer set 

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• Camm: Hodie Christus Natus Est; computer-set 

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Leise rieselt der Schnee uses as a starting point the Austrian carol of that name. The piece is a kind of homage to Austrian folk music, which is so pure in its simplest forms, and which has had such a wide influence through the music of classical composers. I have also used other music which is still sung in the alps, as well as some ‘jodlers’ of my own: the plainchant, Christ ist erstanden, Innsbruck, ich muss dich lassen by Isaac, Verlassen bin i, in Alpine dialect, and the Andachtsjodler, which is traditionally sung at Christmas. I also used a few bars of Mozart’s clarinet quintet, which is very like the Andachtsjodler, because the spirit of Alpine folk music is very much alive in his music.

Leise rieselt der Schnee was written for the Sydney University Musical Society.

• Maclean: Leise Rieselt der Schnee (SATB); facsimile 

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• Maclean: Leise Rieselt der Schnee (SATB); facsimile 

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Leise rieselt der Schnee uses as a starting point the Austrian carol of that name. The piece is a kind of homage to Austrian folk music, which is so pure in its simplest forms, and which has had such a wide influence through the music of classical composers. I have also used other music which is still sung in the alps, as well as some ‘jodlers’ of my own: the plainchant, Christ ist erstanden, Innsbruck, ich muss dich lassen by Isaac, Verlassen bin i, in Alpine dialect, and the Andachtsjodler, which is traditionally sung at Christmas. I also used a few bars of Mozart’s clarinet quintet, which is very like the Andachtsjodler, because the spirit of Alpine folk music is very much alive in his music.

Leise rieselt der Schnee was written for the Sydney University Musical Society.

• Maclean: Leise Rieselt der Schnee (SSAATBarB); facsimile 

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• Maclean: Leise Rieselt der Schnee (SSAATBarB); facsimile 

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