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• Dienes: Ave Verum Corpus; computer-set 

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• Dienes: Ave Verum Corpus; computer-set 

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• Dienes: Ave Verum Corpus; facsimile 

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• New Zealand Choral Music Vol. 1  Year: 1994 

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• The Graduate Choir: My Spirit Sang All Day  Year: 2005 

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A rhythmic, antiphonal and dramatic fanfare for 8-part mixed choir. Part of ‘Five Christmas Fanfares’ each of which uses a Latin text from the Christmas services.

• Camm: Five Christmas Fanfares; computer set 

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• Camm: Five Christmas Fanfares; computer set 

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• Camm: Cantate Domino; computer set 

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• Camm: Cantate Domino  Year: 1999 

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This New Zealand carol for SATB can be sung at Christmas or Easter. The lyric reminds us that our landscape and night sky have parallels linking us with the life and times of Jesus.

• Caskie: Carol of Reminiscence; computer-set 

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• Caskie: Carol of Reminiscence; computer-set 

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• Ritchie, J.: Christmas Day in the Morning; facsimile 

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• Ritchie J.: Christmas Day in the Morning; facsimile 

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• John Ritchie: Winter and Rough Weather 

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• Marshall: Faleula E!; computer set 

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• Marshall: Faleula E!; computer set 

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• Marshall: Songs of Samoa; computer-set 

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• 1993/94 New Zealand Secondary Students' Choir  Year: 1994 

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• Dellow: Four Christmas Songs; facsimile 

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• Dellow: Four Christmas Songs; facsimile 

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A rhythmic, antiphonal and dramatic fanfare for 8-part mixed choir. Part of Five Christmas Fanfares each of which uses a Latin text from the Christmas services. Hodie Christus Natus Est is one of several choral pieces written especially for school choirs.

• Camm: Five Christmas Fanfares; computer set 

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• Camm: Five Christmas Fanfares; computer set 

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• Camm: Hodie Christus Natus Est; computer-set 

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Leise rieselt der Schnee uses as a starting point the Austrian carol of that name. The piece is a kind of homage to Austrian folk music, which is so pure in its simplest forms, and which has had such a wide influence through the music of classical composers. I have also used other music which is still sung in the alps, as well as some ‘jodlers’ of my own: the plainchant, Christ ist erstanden, Innsbruck, ich muss dich lassen by Isaac, Verlassen bin i, in Alpine dialect, and the Andachtsjodler, which is traditionally sung at Christmas. I also used a few bars of Mozart’s clarinet quintet, which is very like the Andachtsjodler, because the spirit of Alpine folk music is very much alive in his music.

Leise rieselt der Schnee was written for the Sydney University Musical Society.

• Maclean: Leise Rieselt der Schnee (SATB); facsimile 

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• Maclean: Leise Rieselt der Schnee (SATB); facsimile 

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• Clare Maclean: Love Was His Meaning 

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• Clare Maclean: Complete Choral Music 

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In 1996, I undertook to write a musical called The Last Word for the Festival Singers under the directorship of Guy Jansen. I shared the job with a fellow member of the choir Felicia Edgecombe. The show ran over several nights at Queen Margaret College hall in Thorndon Wellington and explored the words of Jesus and the impact these had on his contemporaries and today. The solo version of this song was well received and called for a choral arrangement. It is an accessible homophonic piece in 6/8 time in F major modulating finally to D major. It is useful as an anthem, part of a service or concert piece.

Rosemary Russell

• Russell: Magnificat; computer set 

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• Russell: Magnificat; computer set 

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