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Leise rieselt der Schnee uses as a starting point the Austrian carol of that name. The piece is a kind of homage to Austrian folk music, which is so pure in its simplest forms, and which has had such a wide influence through the music of classical composers. I have also used other music which is still sung in the alps, as well as some ‘jodlers’ of my own: the plainchant, Christ ist erstanden, Innsbruck, ich muss dich lassen by Isaac, Verlassen bin i, in Alpine dialect, and the Andachtsjodler, which is traditionally sung at Christmas. I also used a few bars of Mozart’s clarinet quintet, which is very like the Andachtsjodler, because the spirit of Alpine folk music is very much alive in his music.

Leise rieselt der Schnee was written for the Sydney University Musical Society.

• Maclean: Leise Rieselt der Schnee (SATB); facsimile 

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• Maclean: Leise Rieselt der Schnee (SATB); facsimile 

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Leise rieselt der Schnee uses as a starting point the Austrian carol of that name. The piece is a kind of homage to Austrian folk music, which is so pure in its simplest forms, and which has had such a wide influence through the music of classical composers. I have also used other music which is still sung in the alps, as well as some ‘jodlers’ of my own: the plainchant, Christ ist erstanden, Innsbruck, ich muss dich lassen by Isaac, Verlassen bin i, in Alpine dialect, and the Andachtsjodler, which is traditionally sung at Christmas. I also used a few bars of Mozart’s clarinet quintet, which is very like the Andachtsjodler, because the spirit of Alpine folk music is very much alive in his music.

Leise rieselt der Schnee was written for the Sydney University Musical Society.

• Maclean: Leise Rieselt der Schnee (SSAATBarB); facsimile 

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• Maclean: Leise Rieselt der Schnee (SSAATBarB); facsimile 

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• Hamilton: Magnificat; computer set 

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• The Treble Voice Choral Music of David Hamilton Vol. 3  Year: 2011 

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Composed in 1991 for the Christ’s College Chapel Choir, this work has been performed many times by the choir and, coincidentally, was toured by and broadcast on Concert FM by the choir of Christ’s College, Oxford (UK) when they visited New Zealand in the mid 1990s. It captures the true flavour of Christmas and has an ethereal quality, incorporating elements of plainchant in the final section. The score was revised in 2004 but only in terms of editorial and technical additions.

• Shepherd: O Magnum Mysterium; facsimile 

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• Canterbury Christmas 2  Year: 2003 

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The Maori text for this Christmas season choral work is drawn from the Gospel of Luke (Ch.2. verses 10,14) and also Isaiah Ch. 9. verse 6). It was originally commissioned by Ros Emeleus for the Chilton St James Choir ( S. A.A ) with funding provided by the Queen Elizabeth II Arts Council (now Creative New Zealand). The work was revised for SATB choir in 1997.

• Fisher: Te Whakaaro pai ki nga tangata; computer-set 

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• Fisher: Te Whakaaro pai ki nga tangata; computer-set 

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• Fisher: Te Whakaaro pai ki nga tangata; computer-set 

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The Maori text for this Christmas season choral work is drawn from the Gospel of Luke (Ch.2. verses 10,14) and also Isaiah Ch. 9. verse 6). The work was revised for SATB choir in 1997.

Accurate Maori pronunciation is required for this work

• Fisher: Te Whakaaro Pai ki Nga Tangata; computer-set 

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• Helen Fisher: Te Whakaaro Pai Ki Nga Tangata; video 

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• Te Whakaaro pai Ki Nga Tangata - Helen Fisher 

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• Helen Fisher: Works 1  Year: 1992 

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This mainly unison carol for children wishes children all over the world happiness and love.

• Caskie: The Feel of Christmas; computer-set 

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• Caskie: The Feel of Christmas; computer-set 

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• Wells, J.: The Shepherds' Carol; computer-set 

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• Christmas a cappella  Year: 2001 

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