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• Harris: The Hills of Time; computer set 

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• Harris: The Hills of Time; computer set 

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• Harris: The Hills of Time; computer-set 

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• Harris: The Hills of Time; facsimile  Year: 1983 

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• Works for Orchestra: Young, Harris, Blake, Ritchie 

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• Harris: The Hills of Time 

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• Blake: The Lamentations of Motuarohia; facsimile 

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• Blake: Music by Christopher Blake; cassette 

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• Auckland Philharmonia: New Zealand Music 2  Year: 1990 

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Te Puoho, friend and ally of Te Rauparaha, invited the Rangitane chief Mahuri and his people to a feast at Kukutauaki in return for previous kindnesses. Kukutauaki stood in the middle of an area hostile to the Rangitane people. On his way to the feast Mahuri was warned of the danger of entering territory controlled by the powerful and dangerous Te Rauparaha whereupon he replied: “It is the boast of Te Puoho that he will not have his forehead smeared with blood.” After the feast at which a new kind of food, the pumpkin, was introduced, the guests were invited back to Maimea, at the mouth of the Waikanae River, and massacred – most likely at the prompting of Te Rauparaha. This work was composed in 1987, commissioned and first performed by the New Zealand Chamber Orchestra, conducted by Anthony Jennings. It has been reviewed as, “sheer instrumental drama launched on a sea of seething, trilling strings.”

• Cresswell: The Pumpkin Massacre; facsimile 

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• Cresswell: Orchestral Works 

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• Waiteata Collection of New Zealand Music Vol. 2 - Chamber Music  Year: 1997 

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• Sound Barrier  Year: 2006 

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Originally sketched in December 1982, this work remained in that incomplete form until early 1985 when I returned to it and decided it would at least make an interesting exercise in orchestration. The work in its final form is for solo horn with small chamber orchestra: wood wind, percussion and strings.

The title which has no programmatic significance comes from a line in a poem by American Walt Whitman. The Ripe Breath of Autumn sits rather uneasily in my total output having few stylistic similarities to other works I have written. It is a dark brooking work, and might best be described as a rhapsody.

Musically the two main ideas are the rising semitone motive heard at the opening, and the first five notes of the horn part which recur in various guises throughout. The work possesses a sense of ebb and flow in the orchestral part, interrupted only by a cadenza for the horn player and solo viola. The work finally settles in D as its tonal centre and ends quietly.

David Hamilton

• Hamilton: The Ripe Breath of Autumn; facsimile  Year: 1991 

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• Auckland Philharmonia Orchestra: New Zealand Music 1  Year: 1990 

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• McLeod: Three Celebrations; computer-set 

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• McLeod: Three Celebrations; computer-set 

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• McLeod: Three Celebration; computer-set 

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• McLeod: Three Celebrations; computer-set 

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• Jenny McLeod: The Emperor and the Nightingale 

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• Biddington: Two Pieces for Flute and Strings; facsimile 

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• Biddington: Two Pieces for Flute and Strings; facsimile 

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• Biddington: Concerto Movements and Music for Strings 

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• Biddington: L'Estro Armonico  Year: 2006 

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• Charles: Utu; facsimile 

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• Charles: Utu; computer-set 

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• Charles: Utu; computer set 

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• Charles: Utu; computer-set 

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• Charles: Utu; computer-set 

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• Rimmer: Viola Concerto; facsimile 

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• Rimmer: Viola Concerto; facsimile  Year: 1991 

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The two main themes of Youth of Auckland were originally written by the composer as sound tracks for television commercials, and reworked and developed for this overture. The influence of film music is very evident in the orchestral scoring, with long sweeping melodies visualizing the wide open spaces and the modern rhythms of today’s ‘pop’ music.

Youth of Auckland has been recorded several times for CD and the New Zealand Symphony Orchestra’s version is played regularly on New Zealand National Radio.

• Daverne: Youth of Auckland; computer-set 

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• The Auckland Symphony Orchestra in China 2007 

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• Gary Daverne: Youth of Auckland 

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• Gary Daverne: Orchestral Music  Year: 1981 

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