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Eric Biddington  

A Short Overture

Duration: 07' 00" Year: 1986
for chamber orchestra

Anthony Ritchie  

Beginnings

Duration: 09' 00" Year: 1987
for orchestra

  • Instrumentation
    2(1pc)222; 2200; timp (4),2perc(bs-dr,s-dr, tamtam, xylo, glock, sus cym); strs
  • Programme Note

    ‘Beginnings’ was commissioned by Auckland Philharmonia. It was inspired by the birth of Ritchie’s son Tristan. It depicts the slowly mounting tension of the labour, through to the birth itself. There is a gradual growth in the music from small, delicate gestures into wild and pulsating ones towards the end. The child is represented by a ‘little Tristan waltz’ which eventually gets caught up in the musical frenzy. The waltz sequence imposes order on the music, which tends to be fragmentary and changeable. There are some echoes of Bartok and Debussy in this early work, and it presents a good challenge for a professional orchestra.

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Geoffrey Hinds  

Colyton Overture

Duration: 06' 00" Year: 1987
for youth orchestra

  • Programme Note

    This work was written before and after a visit to Colyton, where a cousin of the composer has a farm, and whose daughter was playing ’cello in the orchestra at the time. He intended the work to reflect the rural open spaces that provide welcome relief for a city-dweller.

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Gary Daverne  

Rondo for Trombone and Orchestra

Duration: 08' 00" Year: 1984
for full orchestra

Craig Utting  

String Sonnet

Duration: 09' 00" Year: 1983
for string orchestra

Anthony Ritchie  

Te Hau-A-Kaiaua (The Winds of Kaiaua)

Duration: 09' 00" Year: 1989
for orchestra

  • Instrumentation
    2(+pc)222; 4330; perc.(4); strings Perc: timpani, side drum, xylophone, glockenspiel, cymbals, tamtam, wind machine
  • Programme Note

    Translation of title: ‘The winds of Kaiaua’

    In Maori mythology, Kaiaua was a child of Tahwiri, the great god of the wind. The winds of Kaiaua are the nor’-westers that frequently sweep across the Canterbury plains. This piece describes an old Maori legend about a chief who disliked the hot nor’-westers so much that he instructed a tohunga (or priest) to perform a chant, making the mountains bigger and stopping the winds coming. However, this caused the plains to become too damp and miserable for the people to live there. The chief prayed for the return of the winds, and eventually they do indeed return, forcing their way over the Southern Alps. The music for this one-movement piece is directly programmatic, owing something to the composer’s experience as Composer-in-schools (1987), where childrens’ imagination very readily turns sounds into images. Consequently, a theme from Ritchie’s own youth (from age 13) is used in the piece, to depict the march of the wind at the end.

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Eric Biddington  

Two Pieces for Flute and String Orchestra

Duration: 05' 00" Year: 1989