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• Cresswell: Ixion; facsimile 

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• Cresswell: Ixion; facsimile 

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• Cresswell: Works - various 

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• Sanders: Marram; facsimile  Year: 1991 

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• Works for orchestra: Body, Farr, Sanders, Carr 

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• Rimmer: Meeting Place; facsimile 

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• Rimmer: Meeting Place; facsimile 

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• Rimmer: Meeting Place; facsimile 

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• SOUNZ Orchestral 1993 

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• Music by Hamilton and Rimmer  Year: 1990 

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This work reflects my developing interest in the incredible diversity of melodic forms and styles as found outside the traditions of Western art music. The basis of the piece is a series of three transcriptions which I notated from recordings. The first is a Greek fiddle tune Horos Serraborrowed from a recording of Greek folk music; the second is a fragment for solo bamboo flute (saluang) which introduces a kind of sung poetry from West Sumatra; the third Hindi film theme as played by a street band in Pune, India, an ensemble comprising four clarinets, two trumpets and two drums. (The latter two recordings I made my self).

These transcriptions for orchestra attempt to capture something of the style of playing and timbre of the original performances. Around these more or less literal reproductions I have added an orchestral fabric whose purpose is to create coherence and continuity within the work. I am not able to justify bringing together three different musics which are so unrelated culturally speaking – my intention is simply to try to convey something of the joy and excitement I experienced when I encountered each one for the first time.

Jack Body, 1983

• Body: Melodies for Orchestra; facsimile 

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• Jack Body: Melodies for Orchestra 

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• Preview - a journey to Olympus, and beyond 

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• Jack Body: Pulse  Year: 2001 

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• Harris: The Hills of Time; computer set 

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• Harris: The Hills of Time; computer set 

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• Harris: The Hills of Time; computer-set 

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• Harris: The Hills of Time; facsimile  Year: 1983 

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• Works for Orchestra: Young, Harris, Blake, Ritchie 

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• Harris: The Hills of Time 

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• Charles: Utu; facsimile 

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• Charles: Utu; computer-set 

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• Charles: Utu; computer set 

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• Charles: Utu; computer-set 

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• Charles: Utu; computer-set 

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The two main themes of Youth of Auckland were originally written by the composer as sound tracks for television commercials, and reworked and developed for this overture. The influence of film music is very evident in the orchestral scoring, with long sweeping melodies visualizing the wide open spaces and the modern rhythms of today’s ‘pop’ music.

Youth of Auckland has been recorded several times for CD and the New Zealand Symphony Orchestra’s version is played regularly on New Zealand National Radio.

• Daverne: Youth of Auckland; computer-set 

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• The Auckland Symphony Orchestra in China 2007 

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• Gary Daverne: Youth of Auckland 

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• Gary Daverne: Orchestral Music  Year: 1981 

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