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David Farquhar  

ABC

Duration: 07' 00" Year: 1985
for SATB choir

David Hamilton  

An Offering for Parihaka

Duration: 14' 00" Year: 1988
for traditional Maori instruments (taonga puoru) and string orchestra

Jenny McLeod  

Childhood

Duration: 12' 00" Year: 1981
ten short songs for unaccompanied SATB choir

Clare Maclean  

Christ the King

Duration: 09' 00" Year: 1984
for SATB choir

John Rimmer  

De Aestibus Rerum

Duration: 14' 00" Year: 1983
for chamber quintet

  • Instrumentation
    clarinet, horn, violin, cello, piano
  • Programme Note

    De Aestibus Rerum was composed for the centenary of the University of Auckland in 1983, and received its first performance in November of that year. The title means ‘on the ebb and flow of things’ and the work is based on a number of distinctive rhythmic and timbral ideas which grow and recede. One hears fluidic patterns, clear octaves with coloured resonances, shimmerings and tremolos, bird-like calls and repeated notes which move frequently at different speeds. A feature of the work is the free open sounding passages marked ‘cadenzas’ for clarinet, violin, cello and horn. In two of these passages the instruments proceed independently of each other.

    This work received first prize in the chamber music category of the International Horn Society Competition in 1984 and the work was subsequently performed at the International Horn Symposium, Detmold, Germany, in September 1986 by the Virginia Tech Ensemble.

    De Aestibus Rerum was recorded by the Karlheinz Company in October 1984.

  • Availability

Kit Powell  

Devotion to the Small

Duration: 12' 00" Year: 1988
a song cycle for soprano and five percussionists

Ross Harris  

Dreams, Yellow Lions

Duration: 20' 00" Year: 1987
for baritone and chamber ensemble

  • Instrumentation
    violin, violoncello, soprano saxophone, flugelhorn and bass clarinet
  • Programme Note

    Commissioned for the opening of the new National Library building in 1987, this work was the centre piece in a concert of New Zealand music which inaugurated the Library’s auditorium. Harris chose Alistair Campbell’s poetry as he has always enjoyed its vernacular quality. Included in the ensemble are some of Harris’ favourite instruments: soprano saxophone, bass clarinet and flugelhorn. Harris views this work almost as a kind of unstaged melodrama. As with his To the Memory of I.S. Totzka (2000), Dreams Yellow Lions was written in a period between work on his operas and acts as a substitute for the larger compositional form. Short instrumental interludes link the songs through various emotional states. “It’s all about memories and I always imagine an old man thinking about his younger days, dreaming away, getting old and becoming sick”.

  • Availability

Gillian Whitehead  

Eleanor of Aquitaine

Duration: 30' 00" Year: 1982
for mezzo and chamber orchestra

William (Bill) Direen  

Evidence

Duration: 03' 30" Year: 1982
a song for voice, guitar, bass, drums and organ

Eve de Castro-Robinson  

Five Responses

Duration: 30' 00" Year: 1989
For women's voices, male speaker, and mixed ensemble

  • Instrumentation
    for 3 sopranos, 3 altos, male speaker, alto fl, piccolo ,E-flat clarinet ,B-flat clarinet , bass-clarinet, horn, percussion (xylophone, timpani, 5 temple blocks, tambourine, 15 maracas, windchime, clicker,marimba, cymbals, balloons, pingpong balls) hp,pf. Extras: 13 balloons (with pins); brick (for piano pedal); 100 plus table tennis balls
  • Programme Note

    This work for mixed ensemble and female voices drew its inspiration from a series of paintings by Ken Robinson which were hung up behind the performers. “Drawing on Spanish texts from Pablo Neruda and St John of the Cross, Eve de Castro-Robinson has produced some wonderfully exotic music. Timbres are perfectly judged, from the vibrant exoticism of alto flute in Edged to the mysterious ceremony of horn and timpani in Black Drop and solo lines have a tremendous sense of tautness and cohesion.” William Dart, Music in NZ

  • Availability