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• Fanfares for a New Millennium  Year: 2000 

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In many ways this is a companion piece to an earlier work, Vivid for solo trumpet, which also sets a powerful, sexually charged poem by Will Christie. But where Vivid is very often overtly violent and forceful in its gestures, deepwalker is mostly much subtler, almost passive-aggressive in outlook. The opening lines of the poem – “the day is a drum that connects these vocal loops with grey traffic circles bridge after bridge” – are mirrored in the cyclical, sometimes elliptical form of the work, loops and circles that play between registers of the clarinet. Sexual tension and aggression bubble away in the background, periodically rupturing the musical surface with piercing, angular outbursts, sometimes in parallel with the rather tender, fluid lines of the low register, and with the spoken text itself. This violent interplay creates a kind of disordered internal conversation, a bizarre hermetic character opening and shutting her windows; a clarinet of many voices.

Warning: contains coarse language

• Taylor: deepwalker; computer set 

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• Taylor: deepwalker; computer set 

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• Alex Taylor: deepwalker; audio 

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• Alex Taylor: deepwalker 

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• War and Peace and Jack Winter's Dream - Incidental Music by Ashley Heenan 

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• Ashley Heenan: Orchestral Music  Year: 1996 

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• de Castro-Robinson: Len Songs; facsimile 

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• de Castro-Robinson: Len Songs; facsimile 

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• Premieres 2004, Volume 4 

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• de Castro-Robinson: Len Songs  Year: 2004 

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• Rimmer: Narcissus; facsimile 

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• Rimmer: Narcissus; facsimile 

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• Rimmer: Narcissus; facsimile 

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“Out of this Nettle, Danger is intimate, acute, fleet, with a fascinating sensitivity to the deep implications of the text. There is a big range of percussion instruments, used with the greatest economy and power of suggestion so that no sound or thematic fragment is perfunctory, each has a voluptuous, expressive, original shape. The piece moves forward in small episodes, held together partly by text, partly by the sheer consistent quality of the imagination.” (Oakes, The Independent)

• Whitehead: Out of this nettle, danger; facsimile 

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• Whitehead: Out of this nettle, danger; facsimile 

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• Gillian Whitehead: Out of this Nettle, Danger; audio 

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‘Pao’ is the name given by Maori to two-lined epigrammatic songs which comment on a wide range of subjects such as love, war, politics or religion; often topical, often improvised. Most of the songs set here were collected in 1864 from Maori prisoners captured during the the land wars in the Waikato area south of Auckland. The couplets are not connected in any way except for the central group, for unaccompanied voice, concerning Pikeri, a character famous at the time for his escapades evading the police; in this instance, enforced separation during a love affair is charted.

The English translations of these pao are used with the kind permission of the late Margaret Orbell, and come from her Maori Poetry, an introductory anthology (Heinemann, 1978).

Pao was commissioned by the Northumberland-based Syrinx Trio, with financial assistance from Northern Arts; the first performance was given by Syrinx in Newcastle in 1981.

• Whitehead: Pao; computer set 

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• Whitehead: Pao; computer-set 

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• Whitehead: Pao; facsimile 

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• Whitehead: Pikeri; computer-set 

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• Whitehead: Pikeri; computer-set 

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• Kowhai - an album of songs by NZ women composers  Year: 1994 

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• Gillian Whitehead: Pikeri from Pao; audio 

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The title A landscape with too few lovers is taken from the fourth panel of Northland Panels by Colin McCahon.

• Harris: Piano Prelude - a landscape with too few lovers; computer-set 

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• Harris: Piano Prelude - a landscape with too few lovers; computer set 

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• Landscape Preludes  Year: 2011 

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• Ross Harris: A landscape with too few lovers; video 

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• Stephen de Pledge - Landscape Preludes  

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• Stephen de Pledge plays A landscape with too few lovers by Ross Harris 

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• Carr: Poems for piano and orchestra; facsimile 

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• Carr: Poems for piano and orchestra; facsimile 

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• Works for orchestra: Body, Farr, Sanders, Carr 

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• Edwin Carr: Poems, Sinfonietta and Promenade 

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• Freed: Sounds and Winds of Wellington; facsimile 

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• Freed: Sounds and Winds of Wellington; facsimile 

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