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This is the second arrangement made of a song written around 1918 by Erima Maewa Kaihau (1879-1941). It follows on from E moe te ra made in 2007 – both pieces arranged at the request of David Gordon of Diocesan School for Girls. Erima Maewa Kaihau was also involved in the complex gestation of the song Now is the hour.

Akoako o te Rangi is also very much in the late Victorian tradition of ‘parlour ballads’ and owes little to traditional Maori song forms or styles. In fact the rather erratic word underlay of the Maori text suggests that the English version (hardly a translation though of the Maori) may have been te first made.

The text is short although there may have originally been further verses (the printed music, published in 1918, contains just the one verse). It is a love song – the scent of a loved one wafting on the breeze to awaken the sleeping lovelorn singer.

• Hamilton: Akoako o te Rangi; computer-set  Year: 2010 

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• Buchanan: Hine, e Hine (voice and piano); computer set 

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• Dellow: Kua mutu - Kua mati; facsimile 

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• Dellow: Two songs for women's voices; facsimile 

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• Dellow: Kua mutu - Kua mati; facsimile 

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• Buchanan: Reo Karanga for mezzo soprano; facsimile 

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A song about taking care when you ride your skateboard!

• Audain: Taku Papawira; computer-set 

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• Audain: Taku Papwira; computer-set 

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This is a liturgical work for Congregation, Choir, Tenor or Soprano, Violin and Piano, which was originally composed for the Asperges Rite in the 150th Jubilee Mass of the Wellington Archdiocese, 30 April 2000. It is inspired by the story of Christ and the Samaritan woman. The text in Maori and English is from the Gospel of John, Chapter 4 Verse 14: " The water that I shall give will turn into a spring inside you, welling up to eternal life." ‘Te Puna Waiora’ is dedicated to Fr John Greally, Advisor for Pastoral Liturgy and Spirituality in the Wellington Archdiocese. Subsequently, the choral part has been incorporated into the Mass, ‘Te Miha Tuituia’ published in ‘Music for a New Millennium’ by the Auckland Liturgy Centre. Also, the chorale theme is in the final section of the harp solo piece ’ Otari’ (2004).

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• Helen Fisher: Te Puna Waiora 

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The Maori text for this Christmas season choral work is drawn from the Gospel of Luke (Ch.2. verses 10,14) and also Isaiah Ch. 9. verse 6). It was originally commissioned by Ros Emeleus for the Chilton St James Choir ( S. A.A ) with funding provided by the Queen Elizabeth II Arts Council (now Creative New Zealand). The work was revised for SATB choir in 1997.

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The Maori text for this Christmas season choral work is drawn from the Gospel of Luke (Ch.2. verses 10,14) and also Isaiah Ch. 9. verse 6). The work was revised for SATB choir in 1997.

Accurate Maori pronunciation is required for this work

• Fisher: Te Whakaaro Pai ki Nga Tangata; computer-set 

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• Helen Fisher: Works 1  Year: 1992 

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Deep in the bush where there were no cicadas singing, the moist smell of soil, a small stream, dark ferns. The middle of the ponga fern looked as if it would be a perfect bed to curl up in. I half believed there were bush dwelling creatures that did live and sleep there, watching me from the shadows.

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• Holmes: Through Coiled Stillness; computer-set 

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