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• Farquhar: Eight Blake Songs; facsimile  Year: 1988 

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• David Farquhar: Half a Century of Song 

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• Farquhar and Ritchie A.: "soNgZ"  Year: 2006 

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Written in McLeod’s second year of study at Victoria University, this piece shows influences of Benjamin Britten and David Farquhar. The text is a poem by W. S. Broughton, the older brother of one of her childhood friends. She was drawn to the poem because it expressed the disillusionment with religion she herself was experiencing at the time.

Being a student work, Epithalamia has been somewhat neglected by performers, and has only recently been ‘rediscovered’. The youthful composer’s impressive self-confidence, both in the expressive use of the voice and in the effective piano writing is obvious. (Programme note: Mark Jones).

• McLeod: Epithalamia; computer-set 

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• McLeod: Epithalamia; computer 

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• Waiteata Collection of New Zealand Music Vol. 5 - Composer Portrait: Jenny McLeod 

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• Farquhar: In Despite of Death; facsimile 

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• Farquhar: In Despite of Death; computer set 

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• Music by David Farquhar  Year: 1993 

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The drama and poetry of traditional Scots ballads have a universal appeal, but particularly for a composer who (like many New Zealanders) had a Scots ancestry. King Orfeo is unusual in that it is based on the Greek legend of Orpheus, who now plays the bagpipes rather than the lute; and doubly unusual in that it has a happy ending with Orfeo rescuing his Isabel. The other two ballads are more typical in their themes of darkness and death. Lord Randal’s story is told in dialogue with his mother; it is interesting that another dialogue-ballad, Edward, was set by Schubert towards the end of his life. These settings also exist in a version for voice and orchestra

• Farquhar: Three Scots Ballads; facsimile 

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• David Farquhar: Half a Century of Song 

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• Chamber Works Vol. 2 (NZ Composer Edition) 

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• Farquhar: Three Scots Ballads 

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• New Zealand Sounds - October Sound 

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