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Dorothy Ker  

a gentle infinity

Duration: 06' 00" Year: 2009
for full orchestra

  • Instrumentation
    3[1.alto.3/picc]3[1.2.ca]3[1.2.bs cl]3[1.2.contra], 4331, timp., 2 perc., piano/celestra, harp, strings[14.12.10.8.6]
  • Programme Note

    The overall conception of the piece is underpinned by an evolving, wave-like movement – continuous cycles stretching/compressing/proliferating. There is a strong connection to the sea, as in [… and…11], composed in 2002. A passacaglia of seven chords, gradually permutating until they eventually assemble into reverse order, form the ground or ‘canvas’. The various textural and linear surfaces of the piece all emerge from this ground as reflections, extensions, compressions, or distillations of the core material. Quarter-tones (division of the chromatic scale into 24 tones instead of the usual 12) enrich and intensify the harmony while rendering it more tactile and less pitch-defined.


    Review:

    “The 7-minute a gentle infinity…is both atmospheric and deft in Ker’s handling of a large orchestra, subtly dynamic (not least in the use of percussion), edgily communicative, and vibrant in its imagery; a piece full of good things, arguably cut off prematurely. Conducted by Pavel Kotla, the LSO once again suggested that Ker (in attendance) is a composer to watch out for.”

    -Colin Anderson, www.classicalsource.com

  • Availability

Gary Daverne  

A Musical Party

Duration: 07' 00" Year: 2001
for solo accordion and orchestra

  • Programme Note

    A Musical Party was commissioned by the New Zealand Accordion Association (NZAA) to commemorate their 30th anniversary in June 2001. The weekend and Musical Party was dedicated to Silvio De Pra, honouring him for his outstanding contribution to the accordion in New Zealand. He has chaired the Accordion Examination Board of NZ Inc. since its inception in 1972 and been chief examiner since 1992.

    A Musical Party was premiered by a massed accordion orchestra and conducted by the composer, Gary Daverne. It was later revised and arranged for solo accordion and symphony orchestra, which is the version that appears here.

  • Availability

Ray Twomey  

A Time Before (Opus 23)

Duration: 07' 00" Year: 1998
for symphony orchestra

John Rimmer  

Autumnal Alleluias

Duration: 06' 00" Year: 2006
for concert band

Karlo Margetic  

Bioluminescence

Duration: 07' 00" Year: 2006, r. 2012
for orchestra

Pieta Hextall  

Bridge of Remembrance

Duration: 05' 35" Year: 2006
for full orchestra

Lyell Cresswell  

Con Fuoco

Duration: 09' 00" Year: 2004
for twelve-piece chamber ensemble

Simon Eastwood  

Confiteor Tibi

Duration: 06' 00" Year: 2011
for a capella choir

Ray Twomey  

Diversion (Opus 1a)

Duration: 05' 00" Year: 1963
for string orchestra and clarinet solo

David Farquhar  

Divertimento

Duration: 09' 00" Year: 1960
for brass ensemble (11 players)